A Points South essay from the South Carolina Music Issue. Myrtle Beach has always capitalized on tourists’ desire to put a soundtrack to their vacations. Long before the days of the megachurch-style country music theaters, like the Carolina Opry and… by Sarah Bryan | Nov, 2019

A Points South essay from the South Carolina Music Issue. Men and women—sometimes pairing off, sometimes dancing alone—cluster in the center of the club, lightly prancing just off their heels. In unison, the dancers then form a circle, shifting to… by Robert Greene II | Nov, 2019

A feature essay from the South Carolina Music Issue.  The thing that they do, I hesitate to say that you have to be there, but—there is an intimacy and devilment to their live performance, a lift and crash, that has… by David Ramsey | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

Track 3 – “Down to the Graveyard” by Moon Pie  In clubs and bars they played ninety-minute shows, at the least, filled with three- to four-minute narratives about living in a town and wanting to get out, being away from… by George Singleton | Nov, 2019

Track 23 – “Resurrection” (Live) by Benny Starr feat. the FOUR20s   “Resurrection,” the first song on A Water Album, facilitates a kind of reconciliation between the Fitzgerald Wiggins of my youth and the man I aim to be. Seeing others… by Benny Starr | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

February 06, 2017

Side of the South is a rumination on Southern culture, particularly in the photographer’s home state of Florida.

February 21, 2017

I’ll See You On The Beach addresses sites that commemorate the American legacies of exploration, conquest, and the instillation of nationalism by way of stimulating displays.

March 14, 2017

At the beginning of 2013, a contest in the Florida Everglades opened, allowing the public hunting of invasive Burmese pythons. Hunters from across the country descended on the Florida wetlands in search of the prey.

March 20, 2017
Bittersweet on Bostwick Lane explores the landscape of the artist’s childhood in all its loss and sweetness, her own memories inspired by and intertwined with stories told by her oldest neighbor.
March 26, 2017

The counterpoint between personality and place, portrait and landscape underpin much of what John Sanderson admits are travel memories of his younger days, when his vantage was from the passenger seat of his father’s pick-up.

April 03, 2017

In Take Me to the River, Michael Kolster explores the Androscoggin, Schuylkill, James, and Savannah Rivers as they emerge from two centuries of industrial use and neglect.

April 17, 2017

Novelist Patrick Wensink believes the home’s backside is where the true self is best seena haunting, colorful, and often humorous world that goes unnoticed, ignored.

April 25, 2017

From 1830 to 1860, Richmond, Virginia, was the largest supplier of enslaved Africans on the east coast of the United States.

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