It’s a brisk February afternoon in Lexington, Kentucky, and Louis Zoeller Bickett II and I are sitting in his office, which is lined with 500 binders. A few shelves of author-signed books, all of them tagged and indexed, stand in the room behind me. Our coffee mugs are not tagged, but the small Windsor chair I’m sitting in is.
December and Everything After looks closely at end-of-life suffering with a lens on the artist’s aging parents. The images included here follow the steady decline of Polly Gaillard’s mother since 2014, when she was found to have a slow growing abdominal sarcoma.