An installment in John T. Edge's Points South column, Local Fare. When I began reading and thinking about Dixie Vodka, I didn’t want to gallop toward a conclusion. I aimed to plod, to listen, to map the paper trail of… by John T. Edge | Jun, 2018

A short story from the Fall 2018 issue. He saw no need to damn a place just on the face of it; he figured there must be a flower blooming somewhere in West Memphis, though he had seen no sign… by David Wesley Williams | Sep, 2018

A feature essay from the Fall 2018 issue. Why was my great-great-grandfather always referred to as “Robert Singleton, the Civil War veteran who lost his leg at Murfreesboro, then went on to become Clerk of the County Court” rather than… by Danielle Chapman | Sep, 2018

 A Letter from the Editor, Fall 2018. I was struck by a phrase written by Jelani Cobb for the New Yorker, which characterized our former president as “a man who grasps history as the living context of our lives.” This… by Eliza Borné | Sep, 2018

A featured short story from the Fall 2018 issue. Our distant ancestor Harriett Moss made a living painting portraits of dead children. But before her career began in earnest, she sketched only cows. It was her husband, Thomas Moss, who… by Lee Conell | Sep, 2018

A Southern Journey from the Summer 2018 issue.  Pulled by the pale, stout horses, we listened as he told us the history of the paniolo culture in Hawaii. I sat on the wagon’s bench behind my father as he talked.… by Holly Haworth | Jun, 2018

A Points South story from the Fall 2018 issue “I just have this fear every day that somewhere there’s another load going to the landfill of the only known copy of something that helped change American music,” Darden told me.… by Will Bostwick | Sep, 2018

A feature essay from the Fall 2018 issue. I first devoured Robert Gipe’s books and plays because I wanted to understand Appalachia. I was searching for deeper insights than the victim-blaming bootstrap narrative espoused in J. D. Vance’s best-selling book,… by Beth Macy | Sep, 2018

Reading Florida.  You see one thing when you look at the state from a distance, but if you come closer, dig deeper, you always find something else. This probably has something to do with Disney World, but it also relates… by Sarah Viren | Jun, 2018

January 11, 2017

A profile from the Oxford American’s 25th issue, 1999.

Christenberry is not simply a visual artist who reveres writers, especially Southern ones, his artistic vocabulary is directly shaped by them. His largest theme, like that of many novelists, is time, and he has a poet’s sureness of imagery and tone. He is perhaps the South’s most literary artist.

December 05, 2016

Native to the Northeast, photographer Shane Lavalette developed his intimacy with the South primarily through the region’s traditional music, including old time, blues, and gospel. The themes and stories passed down in these songs became Lavalette’s natural entry point for the project One Sun, One Shadow.

November 21, 2016

Slowly, Over Time is a documentary of Parker Stewarts neighborhood in Savannah, Georgia, recorded over a half decade.

February 27, 2017

Photographs from the Summer 2014 issue. 

Drawing from the famous nineteenth century portraits made by Doris Ulmann, Lisa Elmaleh’s project American Folk documents the contemporary development of traditional arts throughout the Appalachian Mountains.

April 01, 2014

A selection of photographs by Maude Schuyler Clay documenting the stray dogs of the Mississippi Delta.

October 31, 2016

Justin Ward’s Unmanned Landscapes uses a consumer-grade unmanned aerial vehicle to photograph Savannah, Georgia’s suburbs.

October 24, 2016

Rylan Steele’s Ave Maria is an investigation of the 5000-acre unincorporated town that goes by the same name. Founded in South Florida by pizza mogul Tom Monaghan, Ave Maria was built in 2005 and marketed as a utopia for strict Catholics to retirees and young families alike.

October 18, 2016

Constructed in 1904, the Mississippi State Penitentiary at Parchman covers 20,000 acres, forty-six square miles, in the heart of the Mississippi Delta. In 1994, Kim Rushing began photographing the inmates.

October 12, 2016

Before The Storm: A Photographic Study of America’s Coastline is an aerial photographic documentation, a portraiture, of the current and ephemeral American coastline. This selection includes images from Eyes on the Edge: J Henry Fair Photographs the Carolina Coastan exhibit at Columbia Museum of Art closing on October 23, 2016.

October 03, 2016

In What Survives, Michael Morris looks at the values of faith and family that persist despite dwindling economies in rural Kentucky.

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