An installment in John T. Edge's Points South column, Local Fare. When I began reading and thinking about Dixie Vodka, I didn’t want to gallop toward a conclusion. I aimed to plod, to listen, to map the paper trail of… by John T. Edge | Jun, 2018

A short story from the Fall 2018 issue. He saw no need to damn a place just on the face of it; he figured there must be a flower blooming somewhere in West Memphis, though he had seen no sign… by David Wesley Williams | Sep, 2018

A feature essay from the Fall 2018 issue. Why was my great-great-grandfather always referred to as “Robert Singleton, the Civil War veteran who lost his leg at Murfreesboro, then went on to become Clerk of the County Court” rather than… by Danielle Chapman | Sep, 2018

 A Letter from the Editor, Fall 2018. I was struck by a phrase written by Jelani Cobb for the New Yorker, which characterized our former president as “a man who grasps history as the living context of our lives.” This… by Eliza Borné | Sep, 2018

A featured short story from the Fall 2018 issue. Our distant ancestor Harriett Moss made a living painting portraits of dead children. But before her career began in earnest, she sketched only cows. It was her husband, Thomas Moss, who… by Lee Conell | Sep, 2018

A Southern Journey from the Summer 2018 issue.  Pulled by the pale, stout horses, we listened as he told us the history of the paniolo culture in Hawaii. I sat on the wagon’s bench behind my father as he talked.… by Holly Haworth | Jun, 2018

A Points South story from the Fall 2018 issue “I just have this fear every day that somewhere there’s another load going to the landfill of the only known copy of something that helped change American music,” Darden told me.… by Will Bostwick | Sep, 2018

A feature essay from the Fall 2018 issue. I first devoured Robert Gipe’s books and plays because I wanted to understand Appalachia. I was searching for deeper insights than the victim-blaming bootstrap narrative espoused in J. D. Vance’s best-selling book,… by Beth Macy | Sep, 2018

Reading Florida.  You see one thing when you look at the state from a distance, but if you come closer, dig deeper, you always find something else. This probably has something to do with Disney World, but it also relates… by Sarah Viren | Jun, 2018

March 15, 2018

An installment in our weekly series, The By and By. 

Newly returned to Little Rock, this year I will attempt to catch the Southern vernacular on the air—the sounds that warp my senses and have conditioned me to experience this place in a particular way.

March 13, 2018

An Omnivore essay from the 100th issue. 

In the coming skirmishes over the legitimacy of color photography, the image would take on a great symbolic significance. This minor, inexplicable moment—in which a photographer had pondered a light bulb in the Mississippi Delta—would come to be understood as a shot across the bow of art-world atrophy.

June 01, 2013

Some people come to the old Jazzland amusement park by way of the service road off Interstate 510, bringing their cars directly onto the grounds. Before the city stepped up security, I once saw a blue Corvette and black Chevy S-10 pull up and proceed to chase each other at top speed around the central lagoon, then disappear to the far end of the abandoned park. But if you come on foot, it’s best to slip through the hole cut in the chain-link fence, picking your way through the broken glass and shards of scrap metal in the parking lot.

April 20, 2015

This month, Omnivore Recordings reissued a forgotten Memphis classic, a kind of conceptual compilation called Beale Street Saturday Night, produced by Jim Dickinson in 1979. To celebrate the rerelease of this masterpiece, the Oxford American is pleased to present Dickinson’s “The Search for Blind Lemon,” from our 2013 Tennessee Music Issue.