A Points South essay from the North Carolina Music Issue. Shortly after publishing the biography John Coltrane: His Life and Music, Lewis Porter received a letter from a man who identified himself as a Coltrane. Only not, presumably, one related… by Benjamin Hedin | Nov, 2018

A Points South essay from the North Carolina Music issue. My hometown is just over an hour from Myrtle Beach, and so it was not unusual for people to make the pilgrimage to the Pad or the Spanish Galleon or… by Jill McCorkle | Nov, 2018

A Points South essay from the North Carolina Music Issue.  Even with all the influences on his style and songs—Fred Miller, Blind Boy Fuller, Lightnin’ Hopkins, Blind Lemon Jefferson, Sonny Terry, and Brownie McGhee, to name some—Henry had a large… by Tom Rankin | Nov, 2018

A Points South essay from our North Carolina Music Issue.  After twenty-four years of educational experimentation and financial struggle, Black Mountain College closed in 1956. Today it is remembered primarily for its tremendous impact on the visual arts. Among the… by John Thomason | Nov, 2018

A feature essay from the North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start… by Tiana Clark | Nov, 2018

A feature essay from the North Carolina Music Issue.  Rapsody now dons the mantle for a long tradition of black women, particularly those from the South, forcing Americans to look in the mirror of our professed ideals and to face… by L. Lamar Wilson | Nov, 2018

A poem from the North Carolina Music Issue. When it snows, the entire post shuts down like there is no war going on. Perhaps the higher-ups decide to let those left behind, for the moment, savor the chance to shape snowmen with their children or lie… by Zachary Lunn | Nov, 2018

Track 15 – “Holy Ghost, Unchain My Name” by Elizabeth Cotten Mentor to Alice Gerrard, beacon to all of us North Carolina folkie wannabes, revered by those of us with any musical knowledge, and—music’s highest compliment—sung by many of us who… by Tift Merritt | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

November 16, 2017

An installment in our weekly series, The By and By. 

My greatest, greatest fear: to be a hobbyist, an artist on the side. I’ve prided myself on being a working artist for my entire adult life, as if it were the very backbone holding me upright. But the artist hustle written on my face isn’t working. 

August 10, 2017

An installment in our weekly series, The By and By. 

Music is a mystery that does not want thinking. The act of doing anything with feel—writing, making love, playing freely—requires something beyond thinking and eclipses the need for even talking when done right. What I tell myself when I sing: Listen and Give. As far as I can tell, that’s the whole shebang. Annie Dillard is correct—my feelings about my work are pretty unimportant and beside the point; mosquitos to be slapped down.

June 22, 2017

An installment in our weekly series, The By and By. 

The flight attendant stopped and pointed to the safety card’s picture of a woman cradling a child in her arms. “Do you understand? You will hold her like that, alright?” It seemed utterly useless, the fragile creature in my arms against the speed and heft of this giant metal bird throwing itself with such velocity back at earth.