A poem from the Fall 2018 issue. It is such a tragedy, all this Working. The vacation I need is on your mark, Get set, go. It’s been years Since I’ve seen the light by Alex Lemon | Oct, 2018

A poem from the Fall 2018 issue. The girl born at the edge                   of a copper-colored river returns, prefers her wrists                          … by Sandy Longhorn | Sep, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Sarah Winchester and the legacy of living with guns  It’s difficult to understate how the repeating rifle revolutionized killing, of both animals and man, as it brought the world from the single-shot muzzle-loaded rifle to a gun that could hold multiple… by Sara A. Lewis | Sep, 2018

A feature essay from the Fall 2018 issue. One morning in the summer of 1996, Damian Hart was standing naked on a pier in the Aegean Sea. The sun was bearing down on Mount Athos, one of several craggy peninsulas… by Nick Tabor | Sep, 2018

A poem from the Fall 2018 issue. None of this surprises you now, does it? I’m not sure I can know that, I responded to myself. Or I think I did. I should have.  A friend told me to embrace my disorientation here, to attend to… by Curtis Bauer | Sep, 2018

A Points South essay from the Fall 2018 issue. The dock at Mountain Lake is everything a dock should be—whitewashed clapboard, punctuated by an airy pavilion with a red roof—but if you jumped off it, all you’d hit is earth.… by Nell Boeschenstein | Sep, 2018

A Points South story from the Fall 2018 issue  In the evenings, after the day’s rain, my grandfather drove through Starke counting cars in the lots of other motels, doing the math and feeling like a winner. For guests visiting… by Scott Korb | Sep, 2018

A feature essay from the Fall 2018 issue. Prine radiates a sense of well-being, along with a sort of amused nonchalance toward potential disaster. This is a good thing, because the Coupe, as it turns out, has no passenger-side safety… by Tom Piazza | Oct, 2018

March 29, 2018

An installment in our weekly series, The By and By.

Severance, Katherine Yungmee Kim’s ongoing exploration of one of the world’s most dangerous geopolitical borders, is a visual “novel” that incorporates text and archival and family photographs to trace a personal and political history of the Korean peninsula’s Demilitarized Zone.

March 22, 2018

An installment in our weekly series, The By and By. 

My mother saw the border as a metaphor for possibility. To her, the border wasn’t geography, but poetry. Sometimes the border is a crisscrossing, with some children born here and others born there. Not a river, but a poem filled with words waiting to be written down. A brave new music.

March 15, 2018

An installment in our weekly series, The By and By. 

Newly returned to Little Rock, this year I will attempt to catch the Southern vernacular on the air—the sounds that warp my senses and have conditioned me to experience this place in a particular way.

March 08, 2018

An installment in our weekly series, The By and By. 

It was devastating to find how much I enjoy quiet. For a person whose life is consumed by music, it felt like blasphemy. The first time that I sat down to play guitar and nothing came out, I was terrified.

March 01, 2018

An installment in our weekly series, The By and By. 

Up above, the electric Vodacom sign flashed through its paces of red and white, red and white, tingeing everything with pink light and unnatural shadows. It was strange to be in a place that looked so dystopian but that smelled like something as domestic as kitchen trash.

February 22, 2018

An installment in our weekly series, The By and By. 

Songs: Ohia is the name under which musician Jason Molina—Ohio-born and bred, with deep West Virginia roots—performed and released his first records. Didn’t It Rain was his sixth studio album but my first exposure to him. It’s an album that I folded into immediately, that buckled my blood. I’d never heard something that sounded exactly like how I felt.

February 15, 2018

An installment in our weekly series, The By and By. 

I think often of escaping from noise. Wherever I am, I like to sit by windows, doors. I like knowing how to get away when I need to get away.

December 26, 2017

We celebrated our twenty-fifth anniversary year by doing what we’ve always done: publish the groundbreaking fiction—three excerpts from Jesmyn Ward’s National Book Award–winning novel, Sing, Unburied, Sing—essays, nonfiction, and poetry our readers have come to expect. Revisit or catch up on these highlights from 2017. 

December 21, 2017

An installment in our weekly series, The By and By. 

I am grateful to the feminists who came before me and who made it possible for me to be where I am today. But mostly, I am tremendously grateful to the women who are speaking up now. 

December 28, 2017

An installment in our weekly series, The By and By.

Less than two months before C.D. Wright passed away, the Center for Documentary Studies had the honor of welcoming her as a featured panelist at their twenty-fifth anniversary celebration and national documentary forum, where she gave a powerful reading from One With Others.