A selection of short stories in the Fall 2019 issue He had witnessed her appearance a few minutes earlier. Instantly he had known, from the way her pieces sifted together, that she was a ghost, though he had never seen… by Kevin Brockmeier | Sep, 2019

A Points South essay from the Fall 2019 issue A wolf suit. A boy suit. The belly button memory of a mama tether. An odd stone to mark the buried time capsule of your before body. Did your husband wince… by Marianne Jay Erhardt | Sep, 2019

A Louisiana tribe’s long fight against the American tide—feature reportage from the Fall 2019 issue.  Today, the island has a spare and haphazard beauty. Almost every day, fishermen stand in clusters along the island road, casting their nets into the… by Boyce Upholt | Sep, 2019

Could Lucy Negro Redux beckon a new era for ballet?—an Omnivore essay from the Fall 2019 issue. I believe artwork is more interesting—and will invite new audiences—when a wide swath of people are allowed to tell a variety of stories.… by Kelundra Smith | Sep, 2019

The pieces of Johnny Greene, an Omnivore essay from the Fall 2019 issue. Johnny used place as a recurrent theme, along with displacement. As a journalist, he was fascinated by communities, by groups of people and the environments which shaped… by James K. Williamson | Sep, 2019

 A Letter from the Editor, Fall 2019. As a nonprofit, independent publication, the OA exists in an undefined space between literary journal and glossy general-interest magazine. We can embrace the best of both traditions as we see fit: publishing multi-page… by Eliza Borné | Sep, 2019

Paddling to Walter Inglis Anderson’s Horn Island—a feature essay from the Fall 2019 issue. As we paddled, my awareness inverted, a shift in perspective that would continue for the entire journey. Though we were headed south, the world was tilted, and… by Julian Rankin | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Two features Mary Miller, John Paul White + a feature story by Julian Rankin. For more information visit oxfordamerican.org/pointssouth. by Sara A. Lewis | Oct, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

June 06, 2013

How can we make solar energy sustainable?

January 28, 2015

In a place where we have few trees and a lot of wind, I’ll risk it and go out on a limb to say that Texas may be a part of the New South. Texas doesn’t believe that, but still, there’s a common bond. Almost. I think it was Leon Stokesbury who I first heard define the Southern poem. He thought such a poem likely included a big dose of heartbreak and comic sensibility featuring family, landscape, and religion in varying degrees and combination. I hear these same quirky, dusty, open-sky, heartfelt mixtures in the songs of Townes Van Zandt, Lyle Lovett, the Dixie Chicks (don’t judge), and more recently, Amanda Shires.

January 07, 2015

Many people have the vague idea that Roy Orbison’s life was marked by tragedy, and that was why he hid his eyes behind dark glasses and sang so many songs about crying, feeling afraid, and dreaming of happier times. This actually gets the cause-and-effect sequence of Orbison’s life all wrong. It turns out that he wrote those terribly sad songs first, then he started dressing in black, and only later did his life fall apart.

May 24, 2016

Because there wasn’t enough income to pay a full-time hand, all animals requiring daily care had to go. Mountain lions would eat the Boer goats if they went unsold. An emu, whom the old foreman Cruz had jailed in a derelict tennis court, I freed to earn a living in pasture. So long as they had water and grass, the cattle more or less took care of themselves until roundup.

That left the llama.

February 13, 2015

Since many of the best musicians working in Nashville over the years are Texans, a good portion of Jim McGuire’s ongoing Nashville Portraits series features the iconic natives of the Lone Star state, including the stunning 1975 image of Guy and Susanna Clark that graces the cover of our Texas music issue.

September 07, 2014

I lay my fingertip there, just inside the socket, where some of the bone is chipped away: it was pecked out, by the beaks of vultures. These are the markings the huge black birds made when they consumed her eyes, with the permission of her family.

January 27, 2015

On April 28, Dust-to-Digital released No More Good Time In The World For Me, a two-CD set of Bruce Jackson’s recordings of J.B. Smith. Revisit producer Nathan Salsburg’s article about Smith and his work songs, from our Texas music issue.

January 13, 2015

Mess with Willie Nelson and the next thing you'll see is the wrong end of a gun held by the devil himself, Robert Paul English.

October 21, 2016

A story by Ben Stroud from our Fall 2016 issue.

My Dear Master Liszt!

I have become a slave owner. Yes, like you I believe in the freedom of all men—your Hungarians, the Poles, the Rumanians!—and in the role we artists must play—light-bringers, revealers of passion, sympathizers with the oppressed! But I have become a slave owner. It is a stain, a mark of rot. How many stains have I come to bear in these last weeks? They are countless.

January 15, 2015

The amount of blood pooled up on the Deep Ellum street that evening in March 1931 shocked even those city folk who labored with pig stickers and hooks at the Dallas stockyards. A drunk man bleeds faster, more voluminously, than a sober one, and the heat radiating from the earth that Saturday would have hurried along the lifeblood—an unfortunate confluence of factors.