A feature essay from the Spring 2020 issue. I moved to Texas in 2017 and returned often to Dilley. When I would chat with residents—after a city council meeting, at the nail salon, before a cook-off—they’d ask if I was… by Emily Gogolak | Mar, 2020

A Points South essay from the Spring 2020 issue As sea levels rise, there’s more water than ever coming down the Atchafalaya. Shrimp are being pushed offshore, farther into the Gulf, emptying the bayous that Kermit Duck, Douglas Oleander, and… by Jeanie Riess | Mar, 2020

 A Letter from the Editor, Spring 2020. Over the years, I have come to admire a certain kind of story that the Oxford American, as a quarterly magazine untethered from the demands of a rapid news cycle, is especially well… by Eliza Borné | Mar, 2020

A Points South essay from the South Carolina Music Issue. Lillie’s sound is not readily identifiable as black or white but seems a merger of the two as she effortlessly blends country and blues in a haunting song about family… by Eric Crawford | Nov, 2019

A Points South essay from the South Carolina Music Issue. What I want is to love Southern rock without being implicated in the Old South politics. I want progress but I want it surgical. Take secession and Strom Thurmond, take… by Mark Powell | Nov, 2019

Writers reflect on Charles Portis He was the real thing, but he was modest about it. An awestruck fan meeting him by chance in a Little Rock bar named the Faded Rose gushed at him, praising him as a great… by Oxford American | Feb, 2020

An Omnivore essay from the Spring 2020 issue.  All kinds of rumors followed Mr. Myers around campus, most of which, it turns out, had some basis in fact: that he was a ferocious tennis player who hated to lose; that… by Benjamin Anastas | Mar, 2020

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

August 25, 2013

Why would a woman decide to marry God?

September 01, 2014

An excerpt from The History of Rock 'N' Roll in Ten Songs, this stacked review of artist Christian Marclay's video Guitar Drag and Colson Whitehead's novel John Henry Days explores a history of racial injustice through the legend of John Henry.

March 22, 2016

Reading Terry Southern’s letters, I wondered whether Southern would have really wanted to see it published, or whether that matters. I wondered whether I even liked Terry Southern anymore, having read it. More than once, as he apparently intended, I wondered, Well, is this true?

December 09, 1995

A short story from our Winter 1995 issue.

They said adolescent despair; they said anger turned inward; if they were Sidney Grau, M.D., Ph.D, consoling Tansy’s mother by the family's blue expanse of swimming pool on New Year’s Eve, they said troubled child at the end of the twentieth century. But Tansy’s sadness, which was hers and no one else’s, didn’t explain why this pair who looked like her mother and father suddenly had morphed into Mike and Carol Brady on an extended car trip: sharing the road, taking time to smell the flowers, smiling vacant, creepy smiles.

December 01, 2014

We are saddened to learn of the death of legendary Texas music writer Margaret Moser on Friday, August 25. In this feature essay for the OA’s 2014 Texas Music Issue, written just after her cancer diagnosis, Moser shares vivid stories from her pioneering career: 

“A life writing about music wasn’t part of the plan, but then I’d had no plan. I had dropped out of high school, didn’t attend college, had no special training or talent for much, other than a knack for making a place for myself where places didn’t exist. I’ve long joked that I got in through the back door, so whenever I am let in through the front door, I run to the back to see who I can let in.”

September 04, 2018

A Points South story from the Fall 2018 issue

“I just have this fear every day that somewhere there’s another load going to the landfill of the only known copy of something that helped change American music,” Darden told me. So he started the Restoration Project, which aims to “collect, digitize, and archive” all of the recordings available from “gospel’s golden age,” roughly 1945–1975. Because there is no reliable discography of extant gospel recordings (creating one is another ambition of Darden’s), Darden and other scholars have trouble even estimating how many songs that may turn out to be.

December 10, 2014

An interview with the founder of Arhoolie Records, Chris Strachwitz, who remembers the early days of his recording career, his first memories of hearing norteño and Tejano on the radio, traveling with Sam Charters, recording Mance Lipscomb, and more.

September 30, 2014

An installment in our ongoing series, Poetry in Place, a symposium for Southern poets to consider the question, "What does it mean to be a poet of the 'New' South?"

December 15, 2014

Here’s a confession: I’m listening to Lydia Mendoza right now, loud enough to warrant complaints from my neighbors. And if you feel the need to lift your chest and bellow barefoot in the kitchen, might I suggest you turn up her first major hit, “Mal Hombre”

March 27, 2015

Armando Alvarez’s photographs have been published several times in the Oxford American, and we love following his work on Instagram, where he posts portraits of overflowing trash cans, hazy Houston landscapes, strangely beautiful still lifes of junk food, and much more. Most recently, we printed his image of an old truck surrounded by fog in our Texas music issue.