A Points South essay from the South Carolina Music Issue. Before she was Catwoman on the television show Batman in the 1960s, before she spoke out against the Vietnam War and was exiled for it, before her redemption and the… by Latria Graham | Nov, 2019

Track 17 – “My Father Is a Witness, Oh, Bless God” by the Plantation Echoes Established in early 1933, the Plantation Echoes were made up of fifty Gullah field hands who enjoyed singing spirituals, most dating back to slavery. A… by Blain Roberts and Ethan J. Kytle | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A Points South essay from the South Carolina Music Issue. A problem solver, Jones would ultimately get his drums from his mother’s record collection, as her Charles Wright and Isaac Hayes albums began migrating into his room. “There wasn’t enough… by Dave Tompkins | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

A liner note essay from our South Carolina Music Issue We all know that Southern music needs to be heard and celebrated. However, visibility (exposure) cannot be pitted against our chance at a healthy life. The Oxford American’s ask of… by Anjali of Diaspoura | Nov, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Four features the OA editors discussing the upcoming South Carolina Music Issue and sharing their favorite stories and behind-the-scenes moments. Plus: A preview of the issue’s… by Sara A. Lewis | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

September 05, 2017

“They were brothers in music,” Ursula Covay said. “They wrote together, hung out together, traveled together, fought together, loved together, and made deals together.” That’s the word most of the children of the Soul Clan use today to describe their fathers’ bond. Brothers.

June 11, 2019

A Points South essay from the Summer 2019 issue

As an evangelist, I have showed “Miracles” to many people by lying about what it’s actually about. Generally, I describe it as a sort of joke, a curiosity. I don’t tell folks that when I first heard Frierson sing about being “only human” I was lonely and confused, and I listened to it so much that the music morphed into a personal manifesto about redemption, as if he had boiled down the obsessive and impossible task of purity into a formula. On first listen, how I feel about “Miracles” would seem ridiculous. 

January 19, 2015

Everybody I met in Augusta had a James Brown story: the Godfather of Soul roaming around town in his baby-blue Rolls-Royce, showing up unbidden at parties and concerts, hanging around like he was anyone while making sure everyone remembered exactly who he was. Many people also had a Sharon Jones story.

March 30, 2016

There is a name buried deep inside the treasure troves of long-dormant record labels, a name that is whispered among soul music’s true believers: O. V. Wright. He sang like God was sitting on his shoulder, urging him to bear witness to the pain that comes with hardship.

July 27, 2017

An installment in our weekly series, The By and By. 

I am lying in bed on the Fourth of July. The apartment is empty. A box fan is propped on the dresser, blowing cool air, though I can’t hear it. I’m wearing headphones and listening to Bohannon: Speaks from the Beginning. This is the audiobook memoir of Hamilton Bohannon. Not the audiobook of the memoir, in other words, but the audiobook memoir—it only exists in an audio format. He didn’t find it necessary to write down the details of his life. Sound is his medium, always was. So he speaks.

May 10, 2017

A new song and a Mother’s Day prayer from Mississippi gospel trio the Como Mamas. 

Mom was there all the time!
When you were whining,
When you were upset.
At night, when you couldn’t sleep,
She’d come in and pray with you.
She’d come in and maybe read you a word.
She’d come in and sing you a song.