An installment in Chris Offutt’s Omnivore column, Cooking with Chris. Consumption of worms is widespread throughout the world among many disparate cultures, particularly in Canada. (The French confine themselves to eating snails.) This tradition extends to contemporary America, especially with children.… | Jun, 2018
A conversation with the Georgia-bred, North Carolina-based singer and guitarist Jake Xerxes Fussell.
“It’s hard to say what a song is after a while, it’s been through so many lives and incarnations. Is it a gospel song? Is it a nursery rhyme? I don’t know. Alan Lomax talked about that, about how songs had these lives over many generations. There’s a lot of stuff that’s both and neither at the same time. I think this might be one of those songs.”
In 1950, Lee Hays sent his siblings the first proof of his existence they’d had in more than a decade: baby-brother Lee, all three hundred pounds of him, harmonizing his deep, dark bass voice on a recording of “Goodnight, Irene,” the No. 1 hit in the nation. Lee was thirty-six, but his voice sounded old and smooth, and at the same time hard, exposed: an oak shivered open.