An installment in John T. Edge's Points South column, Local Fare. “I do this to investigate complicity and interrogate white supremacy,” Tunde Wey said on a Monday night in October, standing on a chair before a dinner crowd of fifty-plus… by John T. Edge | Mar, 2018

A Writing on Writing essay from the 100th issue. Heroes are no trite matter—people worth looking up to are important at any age. Adult influences wield less power; we come to them more fully formed, with harder edges and less need.… by Tift Merritt | Mar, 2018

A Points South essay from the 100th issue. He used “Niggertown” to make the hearer reconcile the word with the man using it: Lolis Edward Elie, this civil rights lawyer, this man of letters, this collector of fine art and… by Lolis Eric Elie | Mar, 2018

A feature essay from the 100th issue. For Evangelical believers, the most important decision in one’s life—in some ways, the only choice that really matters—occurs abruptly, in the direct presence of God and other people, and then can’t be undone.… by Molly McCully Brown | Mar, 2018

An Omnivore essay from the 100th issue.  In the coming skirmishes over the legitimacy of color photography, the image would take on a great symbolic significance. This minor, inexplicable moment—in which a photographer had pondered a light bulb in the… by Will Stephenson | Mar, 2018

A Points South essay from the 100th issue.  New Orleans loves to celebrate and romanticize its French and Spanish influences. But so much of the city’s culture—the food, the music, the dance, Mardi Gras itself—is indebted to the Caribbean. New… by Laine Kaplan-Levenson | Mar, 2018

A feature essay from the 100th issue. From across the broad and whitecapped Indian River, the Kennedy Space Center looks like two tiny Lego sets in the distant vegetation. The palms here are windswept, the oaks are scrubby. Pelicans bob… by Lauren Groff | Mar, 2018

 A Letter from the Editor, Spring 2018. This issue is packed with other luminaries: Nikki Giovanni, Lolis Eric Elie, and Wendell Berry express the tenderness of our closest relationships. Randall Kenan and Thomas Pierce, contemporary masters of Southern fiction, offer… by Eliza Borné | Mar, 2018

A poem from the Spring 2018 issue. I know we are happy To hold them in our arms      Watching  Them squizzle by Nikki Giovanni | Mar, 2018

April 10, 2018

Isabelle Baldwin’s Sleepy Time Down South depicts a quiet “life protected by the mountains,” and embraces the wash of romantic nostalgia that sometimes colors childhood when we recollect it as adults. Inspired by Louis Armstrong’s 1930s track, “When It’s Sleepy Time Down South,” her photographs are sun-drenched and peaceful.

March 06, 2018

Keith Dannemiller’s Wilson documents daily life in the small town of Wilson, North Carolina, as a means of exploring the idea of Home, that illusory place where one fully and completely belongs.

March 13, 2018

A feature short story from the 100th issue.

When the real estate agent first drove us up the gravel driveway, I felt I’d been to this place before. I wasn’t sure at first, for I’d first been there at night. Over fifteen years before. A dinner of academics after a lecture at UNC on Southern food. I was still living in New York then, and found the idea of owning a two-hundred-four-year-old restored farmhouse out in the middle of nowhere surrounded by cornfields to be the height of fancy. Nothing in my future. Much too Town & Country for my tastes. Back then I fully expected to die on the twenty-first floor of a high-rise in the middle of some urban engine. How odd.

March 13, 2018

A Points South essay from the 100th issue.

If the earth is wet enough and acidic enough, the first thing you’ll find when you start digging up a grave is a coffin-shaped halo in the ground. That’s the mark left by the pinewood walls of the casket as they decayed into deep umber in the dirt. Everything else—the lid, the body itself, and whatever earthly treasures went into the hole along with it—has been pushed down to the bottom. The halo descends about a foot, until you reach the grave’s lowest stratum, where you can find scraps of bone, or metal, or just more multicolored dirt. In drier conditions, you might find a lot more than that.

December 05, 2017

Forks & Branches is an intimate meditation on the people and landscapes of Western North Carolina, where Aaron Canipe was raised. Tinted with a pervasive sense of loss and nostalgia, the project captures the particular poignancy of an adult returning to the geography of his childhood and reckoning with both his love for the place and a new understanding of its deep flaws, “hurt, detachment, and stubborn grace.”

October 23, 2017

One of eight historic African-American neighborhoods in Raleigh, North Carolina, SE Raleigh was first settled more than 130 years ago. Once a hub for business, education, and cultural life, rising property taxes and increased rent have forced many people in the area to move out of their homes.

November 10, 2007

Celebrating the idiosyncratic genius of Thelonious Monk, born in Rocky Mount, North Carolina, on October 10, 1917.

In a remarkable 1963 appearance with Juilliard professor and friend, Hall Overton, at the New School in New York, Monk demonstrated his technique of “bending” or “curving” notes on the piano, the most rigidly tempered of instruments. He drawled notes like a human voice and blended them (playing notes C and C-sharp at the same time, for example) to create his own dialect. Overton told the audience, “That can’t be done on piano, but you just heard it.” He then explained that Monk achieved it by adjusting his finger pressure on the keys, the way baseball pitchers do to make a ball’s path bend, curve, or dip in flight.

October 04, 2017

In Fair Bluff Evan Simko-Bednarski explores a North Carolina town “in danger of simply fading away,” struggling to recover from the damage caused by Hurricane Matthew in 2016. The flood and its destruction come after the one-two punch of the tobacco and textile industries crumbling in the 1990s. As one resident put it, “The town was dying. The hurricane just sped us up by ten or fifteen years.”

September 07, 2017

An installment in our weekly series, The By and By.

Since 2001 Christopher Sims has been “investigating, with a profound and insistent curiosity, American military ventures from the perspective of the home front.” For ten years Sims photographed staged Iraqi and Afghan villages on the training grounds of U.S. Army bases deep in the forests of North Carolina and Louisiana.

August 24, 2017

An installment in our weekly series, The By and By. 

It became impossible for me to jibe the romanticized South with the reality of what that war was actually about, and what it cost. And as I put away childish things, I came to understand that the monuments weren’t there to remind us of history. They were, in fact, its cover-up.

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