A Points South essay from the South Carolina Music Issue. Before she was Catwoman on the television show Batman in the 1960s, before she spoke out against the Vietnam War and was exiled for it, before her redemption and the… by Latria Graham | Nov, 2019

Track 17 – “My Father Is a Witness, Oh, Bless God” by the Plantation Echoes Established in early 1933, the Plantation Echoes were made up of fifty Gullah field hands who enjoyed singing spirituals, most dating back to slavery. A… by Blain Roberts and Ethan J. Kytle | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A Points South essay from the South Carolina Music Issue. A problem solver, Jones would ultimately get his drums from his mother’s record collection, as her Charles Wright and Isaac Hayes albums began migrating into his room. “There wasn’t enough… by Dave Tompkins | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

A liner note essay from our South Carolina Music Issue We all know that Southern music needs to be heard and celebrated. However, visibility (exposure) cannot be pitted against our chance at a healthy life. The Oxford American’s ask of… by Anjali of Diaspoura | Nov, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Four features the OA editors discussing the upcoming South Carolina Music Issue and sharing their favorite stories and behind-the-scenes moments. Plus: A preview of the issue’s… by Sara A. Lewis | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

October 27, 2015

. . . . Whenever they look at me they see Civil War. Rape. The
great historical dismissive black boy walk away. When they shoot
me and leave me in the street for four hours facedown on the hot
summer pavement while my mother screams on the porch they
see sugar plantations melting in the distance.

September 01, 2015

This issue includes “The Battle of and for the Black Face Boy,” a radical libretto by Nikky Finney; a profile of a transgender drug counselor who lives on the border of El Paso and Ciudad Juárez, by Jonathan Blitzer; John T. Edge’s exploration of Southern theme restaurants; and more.

November 19, 2019

A poem from the South Carolina Music Issue.

Clara Smith, Blues woman. They share 
a room with no peephole, old gal, 

young gal, they laugh and tell the boys 
who want to stop by, they’s roommates.