A Points South essay from the Summer 2019 issue I have wanted to visit this house for years. Like many North Carolina kids, I grew up with the broad strokes of Thomas Wolfe’s story, the prolific, small-town genius who became… by Stephanie Powell Watts | Jun, 2019

Thomas Jefferson, Pharrell, and more notes on the state of Virginia  Now, when strangers ask me where I’m from, I say, “Virginia Beach. We gave the world Pharrell. You’re welcome.” Pharrell was the black cosmopolitan force that proved my home… by Mychal Denzel Smith | Jun, 2019

Zora Neale Hurston’s lessons in writing a love story At one point, sitting in the Beinecke Library, I closed my eyes and let my fingers fall on random sentences of Hurston’s masterwork. Word for word, sentence for sentence, Their Eyes… by Regina Porter | Jun, 2019

A poem from the Summer 2019 issue. Here it is iftar and I forgot to eat I’m banqueting on a spice that’s not on this table by Mohja Kahf | Jun, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

 A Letter from the Editor, Summer 2019. At the Oxford American, we receive many pitches for stories in the category of “pilgrimages,” or “literary road trips,” or “retracing X’s steps.” I understand the appeal: the traveler can see with her… by Eliza Borné | Jun, 2019

A Points South essay from the Summer 2019 issue As an evangelist, I have showed “Miracles” to many people by lying about what it’s actually about. Generally, I describe it as a sort of joke, a curiosity. I don’t tell… by Jacob Rosenberg | Jun, 2019

An installment in John T. Edge’s Points South column, Local Fare. Costumes transform their bar into a theatrical production, Feizal said to me that day in the jungle room. “You watch someone put on a Big Bird suit and then… by John T. Edge | Jun, 2019

October 13, 2016

From the time he began recording regularly with electric instruments, Dylan, his palette enlarged, fixated on reproducing the sounds inside his mind with minimal editing artifice. The making of Blonde on Blonde combined perfectionism with spontaneous improvisation to capture what Dylan heard but could not completely articulate in words.

January 22, 2014

Matraca Berg has written hits for Patty Loveless, Trisha Yearwood, Martina McBride, and Deana Carter. Now, the Nashville Songwriters Hall of Fame inductee is taking her own turn in the spotlight.

May 22, 2014

The South has diversified over the last twenty years. And so has my palate.

June 23, 2014

The author reflects on his all-consuming obsession with the White Stripes: "But now—a husband and father of two young boys, a mortgage holder soon to be bushwhacked by forty? Is it not shameful, obsession in this strata of life? Shameful because irresponsible. Irresponsible because every real obsession is an expensive, fatiguing time-suck. How does a grown man come to obsess over a rock band unless something fundamental is lacking in his psyche and soul?"

April 14, 2014

The origins of the pedal steel guitar. 

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