An essay from our forthcoming place issue At her restaurant, Mosquito Supper Club, and in her cookbook of the same name, Melissa Martin sets out to record the foods and recipes that cannot be found on New Orleans’s restaurant menus… by Leslie Pariseau | Jul, 2020

A feature essay from the Spring 2020 issue. I moved to Texas in 2017 and returned often to Dilley. When I would chat with residents—after a city council meeting, at the nail salon, before a cook-off—they’d ask if I was… by Emily Gogolak | Mar, 2020

A feature essay from the Spring 2020 issue. I wasn’t sure how to explain to a rising high-school junior why I’d followed her and her classmates to Belize. I’d met Pierre-Floyd a few months before during a tour of Frederick… by Casey Parks | Mar, 2020

A short story from the Spring 2020 issue I tell him goodbye and go wander around the beauty section in Dillard’s. I find the perfume like what I’m wearing on display and I spray some more on. I find a… by Ashleigh Bryant Phillips | Feb, 2020

A feature essay from the Spring 2020 issue. History is, in part, the memories we choose to protect and reinforce, to ensure their longevity and influence. In Thibodaux’s protected memory, sugarcane has endured, plantations have endured, Confederate heroes have endured—but… by Rosemary Westwood | Mar, 2020

A Points South essay from the Spring 2020 issue When we weren’t whizzing through intersections, I was trying to read road signs, thinking that their letters, dimly lit by our headlights, would give me some kind of orientation on this… by Malinda Maynor Lowery | Mar, 2020

A featured short story from the Spring 2020 issue. She stopped short. The dogs would have passed without noticing her, but Seth had to give them a parting yap. In a second they wheeled around and came straight at her,… by Ben Fountain | Mar, 2020

 A Letter from the Editor, Spring 2020. Over the years, I have come to admire a certain kind of story that the Oxford American, as a quarterly magazine untethered from the demands of a rapid news cycle, is especially well… by Eliza Borné | Mar, 2020

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

May 22, 2014

The South has diversified over the last twenty years. And so has my palate.

June 04, 2014

Though hot chicken is not peculiar to Nashville, the city is uniquely obsessed with the dish.

October 13, 2016

From the time he began recording regularly with electric instruments, Dylan, his palette enlarged, fixated on reproducing the sounds inside his mind with minimal editing artifice. The making of Blonde on Blonde combined perfectionism with spontaneous improvisation to capture what Dylan heard but could not completely articulate in words.

April 14, 2014

The origins of the pedal steel guitar. 

June 23, 2014

The author reflects on his all-consuming obsession with the White Stripes: "But now—a husband and father of two young boys, a mortgage holder soon to be bushwhacked by forty? Is it not shameful, obsession in this strata of life? Shameful because irresponsible. Irresponsible because every real obsession is an expensive, fatiguing time-suck. How does a grown man come to obsess over a rock band unless something fundamental is lacking in his psyche and soul?"

September 04, 2018

A Points South essay from the Fall 2018 issue

For the past year, five Vanderbilt researchers and historians, myself included, have collected oral histories related to this site—a Union fort largely built by enslaved and free African Americans, many of whom died during its construction. We’d gathered the stories of descendants of the laborers who built the fort and the soldiers who protected it. That Saturday, we’d unveil our work, though unveil felt like a grand word for what we’d amassed—largely two fifteen-minute video interviews. But there it was, printed just beside our project’s name on the event poster. FORT NEGLEY DESCENDENTS PROJECT: NASHVILLE'S BLACK LEGACIES OF THE CIVIL WAR. The name is clunky, a little wordy. But it has to hold so much. 

May 06, 2020

An essay originally published in the Oxford American’s Spring 2010 Southern Food issue, guest edited by John T. Edge.

On making “hit” chocolate in Nashville.

January 22, 2014

Matraca Berg has written hits for Patty Loveless, Trisha Yearwood, Martina McBride, and Deana Carter. Now, the Nashville Songwriters Hall of Fame inductee is taking her own turn in the spotlight.

February 13, 2015

Since many of the best musicians working in Nashville over the years are Texans, a good portion of Jim McGuire’s ongoing Nashville Portraits series features the iconic natives of the Lone Star state, including the stunning 1975 image of Guy and Susanna Clark that graces the cover of our Texas music issue.

September 08, 2014

A conversation with Sturgill Simpson the day after his performance on David Letterman. Of his album, Metamodern Sounds in Country Music, Simpson says, "I made my psychedelic record at the most sober point in my life." 

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