A new song and a Mother’s Day prayer from Mississippi gospel trio the Como Mamas.
Mom was there all the time!
When you were whining,
When you were upset.
At night, when you couldn’t sleep,
She’d come in and pray with you.
She’d come in and maybe read you a word.
She’d come in and sing you a song.
A new song and a short essay by Nashville guitarist William Tyler.
Confronted with the hideous, we must commit to rebuilding, resetting, listening, doing good, fighting injustice, and trying to keep an eye on maintaining beauty. It’s on all of us. My music is instrumental but it’s political. It’s protest music in its own way.
Foreword to a collection of personal narratives by the junior class at New Orleans’s George Washington Carver High School.
I’ve read the essays in this book at least ten times each, not because I have to, but because I don’t think there is another book like it in the world. The really terrifying thing is that I need this book even more now than I needed it as an eleventh grader. If every American book published in 2018 were written to the eleventh grade at Carver High School in New Orleans, the world would be less violent. If every American book published in 2018 were written by eleventh graders at Carver, the world would be more loving. Though these young folks are rarely written to in American literature, they know who they are. And they know who the folks are who refuse to see all of their complexity. “We are rare and powerful,” the younger writers tell us in the introduction.
Jessica Ingram’s Road Through Midnight: A Civil Rights Memorial explores forgotten sites of the civil rights era. The project “is the result of a deep questioning of American racial history and ideas of collective memory, of how we mark historic sites—or don’t mark them.”
In the latest installation for its Picturing the South project, Atlanta’s High Museum of Art presents Our Strange New Land: Photographs by Alex Harris. Taken over the course of two years and encompassing most of the South, Harris’s series documents independent film sets, exploring “how the region is seen, imagined, and created by contemporary visual storytellers.”
In an effort to manifest William Faulkner’s idea that “The past is never dead. It’s not even past,” Lake Roberson Newton’s project, Flowers for the Dead, examines the preservation of historical homes, exploring how previously private spaces are transformed for, and by, public consumption.