An installment of Chris Offutt’s Omnivore column, Cooking with Chris.  Every prepper magazine carried an article on water, mainly because there are a lot of overpriced devices out there for gathering, purifying, and transporting it. This gave me a sense of… by Chris Offutt | Feb, 2019

A Points South essay from the Spring 2019 issue My family has laid claim to a variety of nationalities and regional affiliations, yet there are still questions I reflect on from time to time regarding my own claim to my… by Jennifer Ho | Mar, 2019

A feature essay from the Spring 2019 issue. Kris’s threat to leave was a loaded one. No West Virginian makes that decision lightly, and to be the cause of someone’s leaving is a terrible thing. I personally knew the weight… by Mesha Maren | Mar, 2019

On the architecture of white supremacy Let us look again, now, at this beautiful house, read it this time as a series of universally legible signs for white supremacy. You arrive on horseback and wait outside a gate—the first of… by C. Morgan Babst | Mar, 2019

An installment in John T. Edge’s Points South column, Local Fare. Calamity and travel arrest time. They beg focus and feed insights. Tourism has taken on some of the functions that religion once served. Here in America, we have ritualized restaurant… by John T. Edge | Mar, 2019

 A Letter from the Editor, Spring 2019. Though I don’t believe new parents must be homebound, another truth of my current season is that my movements are mostly limited to house and office and places in between. So more than… by Eliza Borné | Mar, 2019

A Points South essay from the Spring 2019 issue Like many other locals, I had never valued the glades. I had never learned to see past the scraggly trees and the rocky fields. A chance Google search one day told… by Rachel Louise Martin | Mar, 2019

An Omnivore essay from the Spring 2019 issue.  Due to his health, Leon Redbone can no longer be interviewed. In a way, he’s become a version of the old-time musicians he so admired, about whom little is known: You can… by Megan Pugh | Mar, 2019

February 22, 2018

An installment in our weekly series, The By and By. 

Songs: Ohia is the name under which musician Jason Molina—Ohio-born and bred, with deep West Virginia roots—performed and released his first records. Didn’t It Rain was his sixth studio album but my first exposure to him. It’s an album that I folded into immediately, that buckled my blood. I’d never heard something that sounded exactly like how I felt.

September 25, 2017

In That Land of Perfect Day is the culmination of Brandon Thibodeaux’s eight-year long residency in the towns of the northern Mississippi Delta, including the United States’ oldest completely African-American municipality, Mound Bayou. 

September 14, 2017

An installment in our weekly series, The By and By. 

One of the strangest and rarest books in Hannah’s catalog, Power and Light is worth the trouble of seeking out, not only because it is the only tangible artifact of the author’s adventures in Hollywood, but also for its humor and formal uncertainty—a “novella for the screen” is an accurate description.

September 05, 2017

A new-society vision in Jackson, Mississippi.

Chokwe Antar Lumumba saw Jackson as a last chance. This was a place where long-marginalized black communities could build a new economy for themselves, a democratic and fair society, a foundation for good lives to grow from. In his mind, this black-majority city that sat in the middle of the state with the highest concentration of black people in our country had to be the staging ground for this particular experiment in moving past economic and governance systems that weren’t working for so many.

September 05, 2017

A story by Jesmyn Ward, the third and final excerpt from her forthcoming novel  Sing, Unburied, Sing.

The officer is young, young as me, young as Michael. He’s skinny and his hat seems too big for him, and when he leans into the car, I can see where his gel has dried and started flaking up along his hairline. He speaks, and his breath smells like cinnamon mints. 

July 17, 2017

Featuring photographs by Phyllis B. Dooney and documentary poems by Jardine Libaire, Gravity Is Stronger Here documents five years in the lives of one dynamic family living in Greenville, Mississippi.

July 07, 2017

Jessica Ingram’s Road Through Midnight: A Civil Rights Memorial explores forgotten sites of the civil rights era. The project “is the result of a deep questioning of American racial history and ideas of collective memory, of how we mark historic sites—or don’t mark them.”

July 28, 2001

A story from our 2001 Southern Music issue.

I first heard Charley Patton thirty years ago, on a two-LP compilation called The Story of the Blues, which I won in a contest. My adolescent ear was immediately sucked in by the mystery, the wit, the slyness, and the expressive variety of the performances of Blind Boy Fuller, Memphis Minnie, Texas Alexander, Leroy Carr, Barbecue Bob, Bessie Smith, Big Joe Turner, Blind Lemon Jefferson, Otis Spann, Blind Willie McTell, and the rest.

June 28, 2017

A new song and a short essay by Nashville guitarist William Tyler. 

Confronted with the hideous, we must commit to rebuilding, resetting, listening, doing good, fighting injustice, and trying to keep an eye on maintaining beauty. It’s on all of us. My music is instrumental but it’s political. It’s protest music in its own way.

June 13, 2017

A story by Jesmyn Ward, the second of three excerpts from her forthcoming novel Sing, Unburied, Sing. 

Because I wanted Michael’s mouth on me, because from the first moment I saw him walking across the grass to where I sat in the shadow of the school sign, he saw me. Saw past skin the color of unmilked coffee, eyes black, lips the color of plums, and saw me. Saw the walking wound I was, and came to be my balm.