An installment in John T. Edge's Points South column, Local Fare. When I began reading and thinking about Dixie Vodka, I didn’t want to gallop toward a conclusion. I aimed to plod, to listen, to map the paper trail of… by John T. Edge | Jun, 2018

A short story from the Fall 2018 issue. He saw no need to damn a place just on the face of it; he figured there must be a flower blooming somewhere in West Memphis, though he had seen no sign… by David Wesley Williams | Sep, 2018

A feature essay from the Fall 2018 issue. Why was my great-great-grandfather always referred to as “Robert Singleton, the Civil War veteran who lost his leg at Murfreesboro, then went on to become Clerk of the County Court” rather than… by Danielle Chapman | Sep, 2018

 A Letter from the Editor, Fall 2018. I was struck by a phrase written by Jelani Cobb for the New Yorker, which characterized our former president as “a man who grasps history as the living context of our lives.” This… by Eliza Borné | Sep, 2018

A featured short story from the Fall 2018 issue. Our distant ancestor Harriett Moss made a living painting portraits of dead children. But before her career began in earnest, she sketched only cows. It was her husband, Thomas Moss, who… by Lee Conell | Sep, 2018

A Southern Journey from the Summer 2018 issue.  Pulled by the pale, stout horses, we listened as he told us the history of the paniolo culture in Hawaii. I sat on the wagon’s bench behind my father as he talked.… by Holly Haworth | Jun, 2018

A Points South story from the Fall 2018 issue “I just have this fear every day that somewhere there’s another load going to the landfill of the only known copy of something that helped change American music,” Darden told me.… by Will Bostwick | Sep, 2018

A feature essay from the Fall 2018 issue. I first devoured Robert Gipe’s books and plays because I wanted to understand Appalachia. I was searching for deeper insights than the victim-blaming bootstrap narrative espoused in J. D. Vance’s best-selling book,… by Beth Macy | Sep, 2018

Reading Florida.  You see one thing when you look at the state from a distance, but if you come closer, dig deeper, you always find something else. This probably has something to do with Disney World, but it also relates… by Sarah Viren | Jun, 2018

September 04, 2018

A Points South essay from the Fall 2018 issue

I've come to have a friendship with a raven in Paris. I call him Cleitus, a name that I picked up from a Dukes of Hazzard episode or Greek mythology. The fact that it could be either reveals much about my raw ingredients, the stuff from which I am made. 

April 24, 2015

It’s springtime on the Plains. A group of writers mill nervously around a brightly lit bar. A woman stalks dusty library shelves, scanning names on the canvas spines. Somewhere in Florida, a thunderstorm is brewing.

January 22, 2015

One of the central themes of Megan Mayhew Bergman’s fiction concerns the varying identities that people—especially women—worry over, the personas they adopt and adapt for their own purposes. In her latest collection, Almost Famous Women, Bergman explores the stories of thirteen women whose lives and achievements have been lost to the main stream of contemporary memory.

OA contributing editor Jamie Quatro, author of I Want to Show You More, spoke with Bergman about her new book, the writing life, and “trying on ways of being female.”