A Points South essay from the North Carolina Music Issue. I heard voices down the hall and followed them into the recording room, where I found Soul Council producer Kash talking with Tia Watlington, Jamla’s director of product management, and… by Dasan Ahanu | Nov, 2018

A Points South essay from the North Carolina Music Issue. I first heard Wesley Johnson’s name in 2008 while speaking with Carlotta Fleming (née Samuels) about her vocal group, Odyssey 5. After recording their lone LP, First Time Around, for… by Jon Kirby | Nov, 2018

A feature essay from the North Carolina Music Issue.  I wanted to start with the wild weeds and the creaking wood on the front porch, walking up to Nina Simone’s childhood home in Tryon, North Carolina. I wanted to start… by Tiana Clark | Nov, 2018

A Points South essay from the North Carolina Music Issue. Around the close of the 1950s, if you wanted to hear the beginnings of the funk music that James Brown would soon introduce to the world, you wouldn’t find much… by Sarah Bryan | Nov, 2018

A poem from the North Carolina Music Issue. It rises from dust, rakes in the populace, feeds them fried Twinkies, fried trees if they could put them on a stick and powder them in sugar. Bodies bunch up: the perfumed, the balmy, the whole… by C. L. White | Nov, 2018

A feature essay from the North Carolina Music Issue. Perverse? Yes. Blasphemous? Maybe. But not irreconcilable. To contemplate the meaning of Jodeci is to grasp at the intersection of religion and excess, of devotion and abandon, of agape and eros—a… by Lauren Du Graf | Nov, 2018

A Points South essay from the North Carolina Music Issue. Funk can be a sense of place, transmigratory memories filtered through the nose. For George Clinton, the smell of pig shit crosses state lines. “I remember feeding them pigs. I… by Dave Tompkins | Nov, 2018

Track 22 – “Somebody Else’s World” by Sun Ra & His Arkestra FEAT. June Tyson  Sun Ra—master jazz pianist, composer, visionary, and astral traveler—is why many jazz listeners entered the Space Age before there was a Space Age. And June Tyson gives vibrational… by Harmony Holiday | Nov, 2018

A Points South essay from our North Carolina Music Issue. “Reina de mis . . . Reina de mis . . .” And it struck me suddenly, as I stared down at my notebook at my messy handwriting, how without… by Lina María Ferreira Cabeza-Vanegas | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

March 13, 2018

A Points South essay from the 100th issue. 

“For more than three decades this maddening story of Evers’s murder and the question of Beckwith’s guilt or innocence has been told again and again, in conflicting voices and varying contexts, with no conclusion. Facts have been rearranged, deleted, added, interpreted differently. Yet one fact remains undisputed: the man responsible for one of the most notorious murders of the civil rights era remains free. Who is he? It is as if we are driving in rush hour traffic in a rusty Valiant with an expired tag. Alongside us sits an old and familiar white supremacist. We hear the ticking of a bomb in the back seat. The old man grins. Where is it we are going?”

July 07, 2017

Jessica Ingram’s Road Through Midnight: A Civil Rights Memorial explores forgotten sites of the civil rights era. The project “is the result of a deep questioning of American racial history and ideas of collective memory, of how we mark historic sites—or don’t mark them.”