Gathering Charles Portis’s many contributions to the Oxford American Following the death of the this “least-known great writer,” we’re revisiting his life and work.   by The Editors | Feb, 2020

A Points South essay from the South Carolina Music Issue. Esquerita and Little Richard stayed in touch as friends, collaborators, and rivals until 1986, when Little Richard was inducted into the Rock & Roll Hall of Fame and Esquerita died,… by Baynard Woods | Nov, 2019

A Points South essay from the South Carolina Music Issue. I didn’t even know if I knew how to let go of the pain of my past. It has, after all, made me the woman I am. by Joshunda Sanders | Nov, 2019

A feature essay from the South Carolina Music Issue.  Funk is at once spiritual and pugilistic and reparative and confrontational. It does not demand you apologize for slavery but absconds over the Atlantic with its freedom and hovers over the… by Zandria F. Robinson | Oct, 2019

A feature essay from the South Carolina Music Issue.  The thing that they do, I hesitate to say that you have to be there, but—there is an intimacy and devilment to their live performance, a lift and crash, that has… by David Ramsey | Nov, 2019

Track 9 – “Paradise” by Charlie McAlister It might sound like kitchen-sink music at first, seemingly made with whatever junk was lying around and played by whoever happened to be there. It might seem off, even uncomfortably so. But listen… by Liam Baranauskas | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

November 20, 2018

A Points South essay from the North Carolina Music Issue.

The songs I heard growing up, sung at family gatherings, and later as I documented music in recordings at Lumbee churches, ring with longing and sometimes nostalgia. They were standard Protestant hymns, Southern gospel tunes, or shape-note classics, straight from the Broadman hymnal or from J. D. Sumner or the Gaither family: “I Feel Like Traveling Home,” “Hard Working Pilgrim,” “I Am His,” dozens more. The talented ones in my family often learned them not by reading the music but playing by ear, molding and adapting the arrangement and harmonies to suit our preference. Not so much the songs themselves, but the way we sing, especially the emphasis on harmony and blend—the need for every person to have a part but no one to stand out—is what demonstrates our togetherness and uniqueness. 

October 02, 2018

The Oxford American magazine’s celebration of its twentieth annual Southern Music issue, this year featuring North Carolina, will be held Monday, November 26 – Saturday, December 1, 2018. This weeklong celebration, co-presented by Hillsborough, North Carolina-based Yep Roc Records, and designed in partnership with North Carolina-native singer-songwriter Tift Merritt, will be comprised of music events featuring a Statewide Singing Circle and literary readings highlighting stories from the issue.