Gathering Charles Portis’s many contributions to the Oxford American Following the death of the this “least-known great writer,” we’re revisiting his life and work.   by The Editors | Feb, 2020

A Points South essay from the South Carolina Music Issue. Esquerita and Little Richard stayed in touch as friends, collaborators, and rivals until 1986, when Little Richard was inducted into the Rock & Roll Hall of Fame and Esquerita died,… by Baynard Woods | Nov, 2019

A Points South essay from the South Carolina Music Issue. I didn’t even know if I knew how to let go of the pain of my past. It has, after all, made me the woman I am. by Joshunda Sanders | Nov, 2019

A feature essay from the South Carolina Music Issue.  Funk is at once spiritual and pugilistic and reparative and confrontational. It does not demand you apologize for slavery but absconds over the Atlantic with its freedom and hovers over the… by Zandria F. Robinson | Oct, 2019

A feature essay from the South Carolina Music Issue.  The thing that they do, I hesitate to say that you have to be there, but—there is an intimacy and devilment to their live performance, a lift and crash, that has… by David Ramsey | Nov, 2019

Track 9 – “Paradise” by Charlie McAlister It might sound like kitchen-sink music at first, seemingly made with whatever junk was lying around and played by whoever happened to be there. It might seem off, even uncomfortably so. But listen… by Liam Baranauskas | Nov, 2019

Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

June 11, 2019

A commemoration of the No Tears Suite from the Summer 2019 issue

I hadn’t been to Little Rock until the performance, and to be able to go to the museum across the street, to be reminded with videos how horrific that moment was, to actually play in that school, that was deep. To know that this is something that’s so heavy, something we’re still going through, even. To be there in the same town, on the same block, in the exact same building and onstage, in that beautiful auditorium. It was an emotional time.

September 05, 2017

Trying to achieve black selfhood in Little Rock 

The erasure of pre-integration black community also means the loss of artifacts of black joy. Those artifacts, mementos of those places, seem harder to find today, scrubbed from memory, or crowded out by the drama of police dogs and fire hoses. Whenever I catch the stories of early classes from Little Rock’s black high schools—Dunbar, or Horace Mann—the joy such stories bring to the faces of their alums feels out of time with the Little Rock I imagine preceding 1957.