Playlists curated by your favorite musicians and writers. by Brittany Howard, Kiese Laymon, Rosanne Cash, Kelsey Waldon, & others | Nov, 2020

An introduction to the Music Issue’s Icons Section Beyond my eye, beyond the death and decay of matters left behind and unsettled, the music ringing up above my head told a thousand stories of bounty and belonging, and it glimmered… by Danielle A. Jackson | Nov, 2020

An essay from the Greatest Hits Music Issue She traveled the world and left it scorched with her fearlessness and musical originality, inspired fierce devotion from an audience who thrilled to her enormous gifts and her personal excesses, and shook… by Rosanne Cash | Nov, 2020

Originally published in our 2001 Music Issue  “One night we were at the house getting ready to go to a concert later that evening, and it was just pouring down with rain, and thunder was cracking,” Peebles told the Memphis… by Andria Lisle | Nov, 2020

An essay from the Greatest Hits Music Issue Great Black music is that which isn’t trying to impress or entreat or even necessarily communicate with a white audience—or any audience. Instead, great Black music works to retrieve what Rahsaan Roland… by Harmony Holiday | Nov, 2020

Poachers are among a small group that have actually seen the flytrap in the wild, and Officer Gorchess thinks they know what they’re talking about. “The guys who actually take them probably know more about flytraps than ninety-nine percent of… by Joe Purtell. Photographs by Nina Riggio | Nov, 2020

An essay from the Greatest Hits Music Issue There was a moment in 1958 when the future of jazz took an extraordinary turn that would be imperceptible to the world for another quarter century. That’s when Ellis Marsalis Jr., freshly… by Gwen Thompkins | Nov, 2020

An introduction to the Greatest Hits Music Issue How does the South inform my music? How do I describe the sound that your bare feet make when they pat the cool, packed red dust under them? How do I describe… by Brittany Howard | Oct, 2020

April 22, 2019

A Conversation with Joan Shelley and Nathan Salsburg

I understand that if you’re a record store, you have to sort things and folk is an easy category for us to fall into. But if you’re a music nerd and a music writer then you would not say folk; folk wouldn’t mean a confessional songwriter, which is what I am. Folk music should be communal, something like, “You guys know this one? Here, sing along.”

July 29, 2016

“My father was a coal miner for thirty-five years and died of black lung,” Howard told me, while resting from the heat and overhead brushstrokes of the outdoor mural he’s working on for a local food pantry. “When I [told my father] I wanted to study art—well, that wasn’t well received.”

June 28, 2017

Announcing the Oxford American’s 19th Music Issue.

In 2017, we are returning to the state series. And we are thrilled to announce that it’s your turn, Kentucky.

January 11, 2017

Atget, Modotti, Weston, Stieglitz, Avedon, Karsh, Brassaï, Bresson, Ulmann. Jim would hand the books to me with no explanation, no bias of who was who and why and what the world already thought of the work. He told me only to put paper clips on the pages holding photographs that “found something in me.”

August 17, 2016

It’s a brisk February afternoon in Lexington, Kentucky, and Louis Zoeller Bickett II and I are sitting in his office, which is lined with 500 binders. A few shelves of author-signed books, all of them tagged and indexed, stand in the room behind me. Our coffee mugs are not tagged, but the small Windsor chair I’m sitting in is.

March 07, 2016

“The summer of 2014, my daughter and I found ourselves on McCracken Pike in Millville, Kentucky, staring up at the former Old Taylor distillery,” explains Sarah Hoskins of her project Bourbon as it Used to be, Now Castle & Key, a documentation of the ruins and rehabilitation of the site.

May 25, 2017

An installment in our weekly series, The By and By. 

The Kentucky I knew looked verdant and sun-dappled as my family drove through the palisades and then the gentle bluegrass on our way to the mountains from the city of Louisville. And even when we reached the mountains themselves, which so physically display the significance of shadow and mystery, I was still in a place that all the grownups around me treasured for its nurturing, its sustenance, its mothering. Even those who’d lived away for decades, in other states, in other countries, still called the mountains “home” because that was what they believed.
May 06, 2014

Glenn Hall’s DarkWater captures the changing biological and environmental landscape of the Ohio River Valley—and what may be a dying way of life.

January 09, 2018

A Kentucky Music Issue web exclusive: J. D. Wilkes’s Jackson Purchase.

The richness of the Jackson Purchase has served so many artists and thinkers over the years, the least of which includes your author. From the kudzu-choked ghost tracks of the L&N railroad to the charcoal-sketch vistas of our silver winters, the Purchase continuously impresses upon us its mysticism, its regional transcendence. I set every song, story, and film I create somewhere within its fables. Here are a few of its surviving, gothic destinations.

August 08, 2019

An installment in our weekly series, The By and By. 

Over the last three years, Alex and I have spent a total of eight summer nights in the Carlton Marion Inn. It’s a tidy motel with a gravel parking lot and a pool overlooking Crooked Creek Valley. This year, though, there’d be no fun to be had in the pool. Not even any fishing. We didn’t know that yet, but maybe we could feel it. Maybe we were afraid of what was coming, what was already there and would not stop.