An installment in John T. Edge's Points South column, Local Fare. When I began reading and thinking about Dixie Vodka, I didn’t want to gallop toward a conclusion. I aimed to plod, to listen, to map the paper trail of… by John T. Edge | Jun, 2018

A short story from the Fall 2018 issue. He saw no need to damn a place just on the face of it; he figured there must be a flower blooming somewhere in West Memphis, though he had seen no sign… by David Wesley Williams | Sep, 2018

A feature essay from the Fall 2018 issue. Why was my great-great-grandfather always referred to as “Robert Singleton, the Civil War veteran who lost his leg at Murfreesboro, then went on to become Clerk of the County Court” rather than… by Danielle Chapman | Sep, 2018

 A Letter from the Editor, Fall 2018. I was struck by a phrase written by Jelani Cobb for the New Yorker, which characterized our former president as “a man who grasps history as the living context of our lives.” This… by Eliza Borné | Sep, 2018

A featured short story from the Fall 2018 issue. Our distant ancestor Harriett Moss made a living painting portraits of dead children. But before her career began in earnest, she sketched only cows. It was her husband, Thomas Moss, who… by Lee Conell | Sep, 2018

A Southern Journey from the Summer 2018 issue.  Pulled by the pale, stout horses, we listened as he told us the history of the paniolo culture in Hawaii. I sat on the wagon’s bench behind my father as he talked.… by Holly Haworth | Jun, 2018

A Points South story from the Fall 2018 issue “I just have this fear every day that somewhere there’s another load going to the landfill of the only known copy of something that helped change American music,” Darden told me.… by Will Bostwick | Sep, 2018

A feature essay from the Fall 2018 issue. I first devoured Robert Gipe’s books and plays because I wanted to understand Appalachia. I was searching for deeper insights than the victim-blaming bootstrap narrative espoused in J. D. Vance’s best-selling book,… by Beth Macy | Sep, 2018

Reading Florida.  You see one thing when you look at the state from a distance, but if you come closer, dig deeper, you always find something else. This probably has something to do with Disney World, but it also relates… by Sarah Viren | Jun, 2018

November 21, 2017

"Most blacks don’t like country music,” Steve Taylor told the AP in 1986 for a story headlined COWBOY STEVE PLAYS RECORDS FOR NO AUDIENCE, “but I’ve been country all my life.”

June 17, 2016

This week the editors are looking ahead at the 50th anniversary of Charles Portis's first novel, Norwood.

June 17, 2016

An excerpt from a play by Charles Portis, with an introduction by Jay Jennings. 

MR. PALFREY: Oh, I know what I want. I just don’t see it here. What I want is a fat yearling coon roasted with some sweet potatoes. What I want, young lady, is some salt-cured ham that’s been hanging in the smokehouse for about two years, along with five or six big cathead biscuits, and some country butter and ribbon cane surrup. But I can’t get that, can I?

KATE: You can’t get it here.

October 26, 2015

We are pleased to announce that Eliza Borné is the new editor of the Oxford American, succeeding Roger D. Hodge, who left the magazine in June.

June 04, 2015

Among my mother’s effects that I found after her death was a datebook for the year 1944: her diary. An erratic diary keeper myself, I noted the neatness of her initial entry—even lines, full loops in cursive letters, thoughtful punctuation—a common enough trait at the start of a writerly journey, all optimism and hope and clarity, before the messiness of life intrudes.

April 08, 2014
All the main characters in “literature” were from London and New York and St. Petersburg, but the book with the character from Little Rock was the funniest book you’d ever read, including your previous funniest book, Lucky Jim. And because Little Rock is little, your parents lived in the same apartment complex as this writer, and so you had his address.