An installment in John T. Edge's Points South column, Local Fare. When I began reading and thinking about Dixie Vodka, I didn’t want to gallop toward a conclusion. I aimed to plod, to listen, to map the paper trail of… by John T. Edge | Jun, 2018

A short story from the Fall 2018 issue. He saw no need to damn a place just on the face of it; he figured there must be a flower blooming somewhere in West Memphis, though he had seen no sign… by David Wesley Williams | Sep, 2018

A feature essay from the Fall 2018 issue. Why was my great-great-grandfather always referred to as “Robert Singleton, the Civil War veteran who lost his leg at Murfreesboro, then went on to become Clerk of the County Court” rather than… by Danielle Chapman | Sep, 2018

 A Letter from the Editor, Fall 2018. I was struck by a phrase written by Jelani Cobb for the New Yorker, which characterized our former president as “a man who grasps history as the living context of our lives.” This… by Eliza Borné | Sep, 2018

A featured short story from the Fall 2018 issue. Our distant ancestor Harriett Moss made a living painting portraits of dead children. But before her career began in earnest, she sketched only cows. It was her husband, Thomas Moss, who… by Lee Conell | Sep, 2018

A Southern Journey from the Summer 2018 issue.  Pulled by the pale, stout horses, we listened as he told us the history of the paniolo culture in Hawaii. I sat on the wagon’s bench behind my father as he talked.… by Holly Haworth | Jun, 2018

A Points South story from the Fall 2018 issue “I just have this fear every day that somewhere there’s another load going to the landfill of the only known copy of something that helped change American music,” Darden told me.… by Will Bostwick | Sep, 2018

A feature essay from the Fall 2018 issue. I first devoured Robert Gipe’s books and plays because I wanted to understand Appalachia. I was searching for deeper insights than the victim-blaming bootstrap narrative espoused in J. D. Vance’s best-selling book,… by Beth Macy | Sep, 2018

Reading Florida.  You see one thing when you look at the state from a distance, but if you come closer, dig deeper, you always find something else. This probably has something to do with Disney World, but it also relates… by Sarah Viren | Jun, 2018

June 13, 2017

A Southern Journey from the Summer 2017 issue. 

Well, then, this is what I am: adopted Southerner; no longer a part of the church in which I was raised, but still Protestant, albeit an increasingly reluctant one; saddened by what the “church” has become, both the right-wing fundamentalist variety and the watered-down, meaningless palaver that will have nothing to do with Christ or orthodoxy or even the Bible itself; grieving the shuttering of historic places of worship and hoping to document their histories before they become lost.

June 23, 2016

A Conversation with Brian Blanchfield. 

“When I initially set myself the constraint you describe, to write analytically about a particular object or phenomenon or concept, one at a time, without access to outside authority, I didn’t have the sense this would be a book, much less a book that could be called a memoir.”

February 09, 2016

For Neddy Hill, giver of the first kiss,
Bobby Breman, No way, Jose,
Todd Winston, who knows his days of the week,
David Mellor, George to her Martha,
and Joe Telford, bell ringer, initials carver, home-run hitter:
Have mercy.

May 27, 2015

Our new issue includes ten short stories—and they are all, in their individual ways, love stories. This week we celebrate the release of our Fiction Issue and bid a fond farewell to editor Roger D. Hodge.

May 27, 2015

When people ask, why read short stories? I want to say: stories teach us to be noticers the way directions once taught us to be noticers. We sit down with a short story and know we’re going to get somewhere in a single sitting. The details are what will get us there.

January 22, 2015

One of the central themes of Megan Mayhew Bergman’s fiction concerns the varying identities that people—especially women—worry over, the personas they adopt and adapt for their own purposes. In her latest collection, Almost Famous Women, Bergman explores the stories of thirteen women whose lives and achievements have been lost to the main stream of contemporary memory.

OA contributing editor Jamie Quatro, author of I Want to Show You More, spoke with Bergman about her new book, the writing life, and “trying on ways of being female.”