A poem from the Fall 2018 issue. It is such a tragedy, all this Working. The vacation I need is on your mark, Get set, go. It’s been years Since I’ve seen the light by Alex Lemon | Oct, 2018

A poem from the Fall 2018 issue. The girl born at the edge                   of a copper-colored river returns, prefers her wrists                          … by Sandy Longhorn | Sep, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

Sarah Winchester and the legacy of living with guns  It’s difficult to understate how the repeating rifle revolutionized killing, of both animals and man, as it brought the world from the single-shot muzzle-loaded rifle to a gun that could hold multiple… by Sara A. Lewis | Sep, 2018

A feature essay from the Fall 2018 issue. One morning in the summer of 1996, Damian Hart was standing naked on a pier in the Aegean Sea. The sun was bearing down on Mount Athos, one of several craggy peninsulas… by Nick Tabor | Sep, 2018

A poem from the Fall 2018 issue. None of this surprises you now, does it? I’m not sure I can know that, I responded to myself. Or I think I did. I should have.  A friend told me to embrace my disorientation here, to attend to… by Curtis Bauer | Sep, 2018

A Points South essay from the Fall 2018 issue. The dock at Mountain Lake is everything a dock should be—whitewashed clapboard, punctuated by an airy pavilion with a red roof—but if you jumped off it, all you’d hit is earth.… by Nell Boeschenstein | Sep, 2018

A Points South story from the Fall 2018 issue  In the evenings, after the day’s rain, my grandfather drove through Starke counting cars in the lots of other motels, doing the math and feeling like a winner. For guests visiting… by Scott Korb | Sep, 2018

A feature essay from the Fall 2018 issue. Prine radiates a sense of well-being, along with a sort of amused nonchalance toward potential disaster. This is a good thing, because the Coupe, as it turns out, has no passenger-side safety… by Tom Piazza | Oct, 2018

November 28, 2012

An essay from the Louisiana music issue.

When I was fifteen, my brother brought home an album by Lightnin’ Hopkins. I got real turned around by that. I took that record and a guitar up to my room. A month later, I came downstairs into the living room and played “Baby Please Don’t Go,” played it for the family. They didn’t say anything, and that’s it. I played from the time I heard that album. It was something I couldn’t stop thinking about. I had no choice.

December 06, 2017

An installment in our weekly series, The By and By. 

Music enters us unmediated by the intellect. Every other form of art goes through the brain on its way to your heart, your gut, your soul. We don’t “enter into” music, the way we do with a book, a movie, a piece of visual or tactile art; it enters us. And it enters whole.

January 22, 2014

Matraca Berg has written hits for Patty Loveless, Trisha Yearwood, Martina McBride, and Deana Carter. Now, the Nashville Songwriters Hall of Fame inductee is taking her own turn in the spotlight.