A Points South essay from the Summer 2019 issue I have wanted to visit this house for years. Like many North Carolina kids, I grew up with the broad strokes of Thomas Wolfe’s story, the prolific, small-town genius who became… by Stephanie Powell Watts | Jun, 2019

Thomas Jefferson, Pharrell, and more notes on the state of Virginia  Now, when strangers ask me where I’m from, I say, “Virginia Beach. We gave the world Pharrell. You’re welcome.” Pharrell was the black cosmopolitan force that proved my home… by Mychal Denzel Smith | Jun, 2019

Zora Neale Hurston’s lessons in writing a love story At one point, sitting in the Beinecke Library, I closed my eyes and let my fingers fall on random sentences of Hurston’s masterwork. Word for word, sentence for sentence, Their Eyes… by Regina Porter | Jun, 2019

A poem from the Summer 2019 issue. Here it is iftar and I forgot to eat I’m banqueting on a spice that’s not on this table by Mohja Kahf | Jun, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

 A Letter from the Editor, Summer 2019. At the Oxford American, we receive many pitches for stories in the category of “pilgrimages,” or “literary road trips,” or “retracing X’s steps.” I understand the appeal: the traveler can see with her… by Eliza Borné | Jun, 2019

A Points South essay from the Summer 2019 issue As an evangelist, I have showed “Miracles” to many people by lying about what it’s actually about. Generally, I describe it as a sort of joke, a curiosity. I don’t tell… by Jacob Rosenberg | Jun, 2019

An installment in John T. Edge’s Points South column, Local Fare. Costumes transform their bar into a theatrical production, Feizal said to me that day in the jungle room. “You watch someone put on a Big Bird suit and then… by John T. Edge | Jun, 2019

October 18, 2016

A conversation with Guy Clark biographer Tamara Saviano.

“Guy was telling me for at least a year and a half before he died that he would not be here when the book came out.”

April 13, 2016

Guy Clark and Townes Van Zandt met during what Clark later called “the great folk scare.” Houston in the early 1960s had a folk community that paralleled those in Cambridge, Minneapolis, or Los Angeles—only smaller and with better bluesmen.

May 17, 2016

“I should have put a stop to that craftsman shit a long time ago,” Guy Clark says. “It makes my skin crawl. It’s nobody’s fault but mine because I didn’t step up and say, ‘No, that’s not right.’ I consider what I do poetry. I don’t need to prove I’m a poet in every line and I’m not afraid to speak plainly in my songs. Not everything needs to be a metaphor and I don’t need lofty words. But it is my obligation as a poet to be faithful to the verse. I write what I know. I write what I see.”

February 13, 2015

Since many of the best musicians working in Nashville over the years are Texans, a good portion of Jim McGuire’s ongoing Nashville Portraits series features the iconic natives of the Lone Star state, including the stunning 1975 image of Guy and Susanna Clark that graces the cover of our Texas music issue.