An installment in Chris Offutt’s Omnivore column, Cooking with Chris. Consumption of worms is widespread throughout the world among many disparate cultures, particularly in Canada. (The French confine themselves to eating snails.) This tradition extends to contemporary America, especially with children.… | Jun, 2018
Photographs from This Land: An American Portrait.
Jack Spencer spent thirteen years working on the project and traveled more than eighty thousand miles across all forty-eight contiguous states looking for scenes and moments that he says are “an expression of the perception of an ideal.”
An installment in our weekly series, The By and By.
One of the paradoxes of George Ellis’s career, in hindsight, is that alongside his run of cheap exploitation films, he maintained a parallel career as Atlanta’s first great arthouse film exhibitor. It adds a layer of complexity to his work, to know that his own taste was impeccable—he understood the full range of cinematic possibilities and would have seen exactly where his films fit into that spectrum. Around the time Demented Death Farm Massacre was hitting theaters, Ellis was introducing Atlanta to the French New Wave and the New German Cinema, hosting retrospectives of Chaplin and Bergman.
A conversation with the Georgia-bred, North Carolina-based singer and guitarist Jake Xerxes Fussell.
“It’s hard to say what a song is after a while, it’s been through so many lives and incarnations. Is it a gospel song? Is it a nursery rhyme? I don’t know. Alan Lomax talked about that, about how songs had these lives over many generations. There’s a lot of stuff that’s both and neither at the same time. I think this might be one of those songs.”
A feature from Issue 61, “Best of the South” 2008.
Thick strokes of early-evening crimson smeared across the rolling mountains of Rabun County as I drove up Highway 23 from Atlanta toward Clayton. The whole world looked like it was burning up right behind the horizon line. It was the nine-degree, molar-rattling middle of January in North Georgia, and I was on my way to visit the Chattooga River, fifty-seven miles of fierce backcountry water and etched stone where the film of my father’s first novel, Deliverance, was shot in the summer of 1971.
We were in the garden of refugees, Eh Kaw explained: what was his, as well as Semoeneh’s, was also mine. Their Baptist faith compelled them to share whatever bounty God bestowed. Eh Kaw felt blessed that he and dozens of family members and countrymen were planting yards in rural Georgia. Nothing in his past had predicted such fortune.
Known as the most haunted city on the east coast, Savannah, Georgia, is a place where people come and go, where, for many, it is easier to leave and forget than it is to stay and thrive. Carson Sanders moved to the Ghost Coast in the fall of 2009 and began to photograph those who make their home here.