An installment of Chris Offutt’s Omnivore column, Cooking with Chris.  Every prepper magazine carried an article on water, mainly because there are a lot of overpriced devices out there for gathering, purifying, and transporting it. This gave me a sense of… by Chris Offutt | Feb, 2019

A Points South essay from the Spring 2019 issue My family has laid claim to a variety of nationalities and regional affiliations, yet there are still questions I reflect on from time to time regarding my own claim to my… by Jennifer Ho | Mar, 2019

A feature essay from the Spring 2019 issue. Kris’s threat to leave was a loaded one. No West Virginian makes that decision lightly, and to be the cause of someone’s leaving is a terrible thing. I personally knew the weight… by Mesha Maren | Mar, 2019

On the architecture of white supremacy Let us look again, now, at this beautiful house, read it this time as a series of universally legible signs for white supremacy. You arrive on horseback and wait outside a gate—the first of… by C. Morgan Babst | Mar, 2019

An installment in John T. Edge’s Points South column, Local Fare. Calamity and travel arrest time. They beg focus and feed insights. Tourism has taken on some of the functions that religion once served. Here in America, we have ritualized restaurant… by John T. Edge | Mar, 2019

 A Letter from the Editor, Spring 2019. Though I don’t believe new parents must be homebound, another truth of my current season is that my movements are mostly limited to house and office and places in between. So more than… by Eliza Borné | Mar, 2019

A Points South essay from the Spring 2019 issue Like many other locals, I had never valued the glades. I had never learned to see past the scraggly trees and the rocky fields. A chance Google search one day told… by Rachel Louise Martin | Mar, 2019

An Omnivore essay from the Spring 2019 issue.  Due to his health, Leon Redbone can no longer be interviewed. In a way, he’s become a version of the old-time musicians he so admired, about whom little is known: You can… by Megan Pugh | Mar, 2019

July 27, 2017

An installment in our weekly series, The By and By. 

I am lying in bed on the Fourth of July. The apartment is empty. A box fan is propped on the dresser, blowing cool air, though I can’t hear it. I’m wearing headphones and listening to Bohannon: Speaks from the Beginning. This is the audiobook memoir of Hamilton Bohannon. Not the audiobook of the memoir, in other words, but the audiobook memoir—it only exists in an audio format. He didn’t find it necessary to write down the details of his life. Sound is his medium, always was. So he speaks.

August 25, 2016

From the liner notes to Light in the Attic’s reissue of the 1971 deep soul classic Time and Place.

Lee Moses possessed all the ingredients for a successful career, but after releasing just one album, Moses would vanish into obscurity in his hometown of Atlanta, where he died in 1997, remaining one of the most underrated but enigmatic figures of rhythm and blues.

July 05, 2016
Though often mistaken for a hymn, “Take My Hand, Precious Lord” is a copyrighted composition. If you were to see the sheet music displayed on an upright piano in church, you would see the name Thomas A. Dorsey, songwriter and pianist, who wrote it in 1932.
March 08, 2016

Brenton Jordan, the stick-man and sometimes lead songster of the McIntosh County Shouters, respects the form’s history and understands his responsibility to its integrity, yet, as master performers of vernacular art do, he is willing to advance the tradition through personal expression.

March 03, 2016

Gordon Tanner was seventeen when he found himself thrust before a microphone, fiddle in hand, at a makeshift Bluebird recording studio in San Antonio’s Texas Hotel. His father Gid—cofounder of the original Skillet Lickers—stood beside him, along with the blind guitarist and singer Riley Puckett, a prolific recording artist and bona fide hillbilly star.

February 25, 2016

Ray Stevens is a slippery one. He’ll don an endless succession of zany personas, then suddenly play it straight and savvy when you least expect it. In the music video for “The Streak” he’s all over the place, making his entrance as a voluble TV news reporter, chasing down the scoop on a flashing incident at the local Bi-Rite.

February 18, 2016

During Sweet Auburn’s heyday, a brotherhood of gifted guitar-playing soul singers, though largely unknown by a wide audience today, formed a loose collective. They wrote songs together, recorded them, encouraged one another, and competed fiercely, each believing in a coming personal glory that never came.

March 02, 2016

Deacon Lunchbox shared crass, nonsensical, and insightful truths, and believed artistic expression wasn’t just for the highbrow. He once told Creative Loafing that working-class Southern expression is unexpected: “I’ve lived in rural areas most of my life, and the idea that working-class people aren’t creative or imaginative is ridiculous.”

February 17, 2016

Alice Swoboda discusses her brief recording career and her stunning song “Potter’s Field.”

My manager at that time told me that we’re in the wrong location. He said, “You’re writing light years ahead of your time and you would be better recognized if we were in the Bay Area.” But it is what it is, and it was what it was.

February 11, 2016

Bessie Jones nurtured a prodigious repertoire of songs—hundreds of them, for work, play, worship, instruction—as both a rite and as a vocation. Her vision was one of radical egalitarianism, inspired by the enduring collective, expressive folk traditions—occupational, recreational, spiritual—of the black rural South and her ardent faith in a kind of ecstatic liberation theology, which found activist application in the civil rights movement.

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