A feature essay from the Spring 2020 issue. I moved to Texas in 2017 and returned often to Dilley. When I would chat with residents—after a city council meeting, at the nail salon, before a cook-off—they’d ask if I was… by Emily Gogolak | Mar, 2020

A Points South essay from the Spring 2020 issue As sea levels rise, there’s more water than ever coming down the Atchafalaya. Shrimp are being pushed offshore, farther into the Gulf, emptying the bayous that Kermit Duck, Douglas Oleander, and… by Jeanie Riess | Mar, 2020

 A Letter from the Editor, Spring 2020. Over the years, I have come to admire a certain kind of story that the Oxford American, as a quarterly magazine untethered from the demands of a rapid news cycle, is especially well… by Eliza Borné | Mar, 2020

A Points South essay from the South Carolina Music Issue. Lillie’s sound is not readily identifiable as black or white but seems a merger of the two as she effortlessly blends country and blues in a haunting song about family… by Eric Crawford | Nov, 2019

A Points South essay from the South Carolina Music Issue. What I want is to love Southern rock without being implicated in the Old South politics. I want progress but I want it surgical. Take secession and Strom Thurmond, take… by Mark Powell | Nov, 2019

Writers reflect on Charles Portis He was the real thing, but he was modest about it. An awestruck fan meeting him by chance in a Little Rock bar named the Faded Rose gushed at him, praising him as a great… by Oxford American | Feb, 2020

An Omnivore essay from the Spring 2020 issue.  All kinds of rumors followed Mr. Myers around campus, most of which, it turns out, had some basis in fact: that he was a ferocious tennis player who hated to lose; that… by Benjamin Anastas | Mar, 2020

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

October 04, 2016

A photo essay from the Winter 2006 issue.

You saw the two pyramids as you rounded the bend in the highway. They were several stories high, rising above the Georgia pines. One was black and one was golden. If your car windows were rolled down, you could hear an ummmmm coming from unseen speakers.

May 27, 2015

When people ask, why read short stories? I want to say: stories teach us to be noticers the way directions once taught us to be noticers. We sit down with a short story and know we’re going to get somewhere in a single sitting. The details are what will get us there.

November 19, 2015

Grandmama’s stank was root and residue of black Southern poverty, and devalued black Southern labor, black Southern excellence, black Southern imagination, and black Southern woman magic. This was the stank from whence black Southern life, love, and labor came. I didn’t fully understand or feel inspired by Grandmama’s stank or freshness until I heard the albums ATLiens and Aquemini from those Georgia-based artists called OutKast.

November 18, 2015

“Midnight,” as performed by Futurebirds—track 24 on the Oxford American’s Georgia Music Issue CD—is not just a melding of eras and genres. It also displays an intersection of geography, as Georgia’s southwest region meets the Futurebirds’ base of Athens in the northeast.

January 31, 2017

A feature from Issue 61, Best of the South” 2008.

Thick strokes of early-evening crimson smeared across the rolling mountains of Rabun County as I drove up Highway 23 from Atlanta toward Clayton. The whole world looked like it was burning up right behind the horizon line. It was the nine-degree, molar-rattling middle of January in North Georgia, and I was on my way to visit the Chattooga River, fifty-seven miles of fierce backcountry water and etched stone where the film of my father’s first novel, Deliverance, was shot in the summer of 1971.

June 01, 2017

A classic John T. Edge column from the OA archive. 

One of the only places the Allman Brothers really felt at home was at Mama Louise Hudson’s soul food restaurant in Macon, Georgia.

November 18, 2015

Our methodology: if you can’t include everything, make sure everything you include is masterful.

October 01, 2014

The history of the South is the South. And history is always with us—as present as you are, reading these words. As present as I mean to be as I type them. My South made me, in spite of itself.

June 06, 2013

How can we make solar energy sustainable?

November 18, 2015

Blues really was the transformation of my life. When I was fifteen or sixteen, a friend and I just kind of stumbled onto the music. It was the beginning of the folk revival—1959 or 1960—and somehow in the midst of all that wholesomeness, we fell into the blues.