Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A Points South essay from the South Carolina Music Issue. A problem solver, Jones would ultimately get his drums from his mother’s record collection, as her Charles Wright and Isaac Hayes albums began migrating into his room. “There wasn’t enough… by Dave Tompkins | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

A liner note essay from our South Carolina Music Issue We all know that Southern music needs to be heard and celebrated. However, visibility (exposure) cannot be pitted against our chance at a healthy life. The Oxford American’s ask of… by Anjali of Diaspoura | Nov, 2019

A graphic story from the Fall 2019 issue.  Like many cities, Little Rock is a place of ghosts. The dead hover and haunt, though their stories often go untold. This story is a work of fiction inspired by some of… by Van Jensen & Nate Powell | Sep, 2019

A feature short story from the Fall 2019 issue. The godmother is like an ancestor who never really left. Someone who’s here even when they’re not. The godmother is what happens when somebody asks your name and you suddenly can’t… by Selena Anderson | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Four features the OA editors discussing the upcoming South Carolina Music Issue and sharing their favorite stories and behind-the-scenes moments. Plus: A preview of the issue’s… by Sara A. Lewis | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

September 23, 2015

When I first opened Stanford’s slim book of posthumously published selected work, The Light the Dead See, every word rang true and glowed like burning coal. I was enraptured by his recklessness, his rebelliousness, his loneliness; I drank up his language like whiskey and was pulled into his dangerous, nocturnal world full of energy and eroticism and death.

May 08, 2015

The sun rises over the mountains. A young girl wakes up and pads to the kitchen, where a pot of coffee has been left alone to brew. A plane passes close overhead. Out on the deck, a frayed hammock swings in the breeze.

August 07, 2015

The sun’s shining through the windows in Georgia. A poet climbs into her attic and takes down a box of old photos, opens it, and tilts the images into the light. A page from an old notebook peeks out of the stack. Jimmy Rabbitt’s “Wheels’ Rollin’” starts skipping on the record player.

September 01, 2015

This issue includes “The Battle of and for the Black Face Boy,” a radical libretto by Nikky Finney; a profile of a transgender drug counselor who lives on the border of El Paso and Ciudad Juárez, by Jonathan Blitzer; John T. Edge’s exploration of Southern theme restaurants; and more.