A Writing on Writing essay from the 100th issue. Pearl taught me to be a loving teller of the truth. This is the basis for my work as a writer and as a human being. If you are a person… by Tayari Jones | Mar, 2018

A Writing on Writing essay from the 100th issue. I found myself in Jones’s writing. Kentucky. Black. Rural. Woman. I was especially taken with how she drew characters from the oral storytelling tradition and then broadened that form into her… by Crystal Wilkinson | Mar, 2018

A Points South essay from the 100th issue. In chronicling the civil rights movement, one inevitably develops an interest in how racial crimes are remembered in the community where they happened—in the way they gradually turn into folklore—and in Memphis,… by Benjamin Hedin | Mar, 2018

A feature short story from the 100th issue. When the real estate agent first drove us up the gravel driveway, I felt I’d been to this place before. I wasn’t sure at first, for I’d first been there at night.… by Randall Kenan | Mar, 2018

A Points South story from the 100th issue. In public, she wore head wraps so tight they gave her headaches. Nevertheless, at some point, the hissing caused people to stop what they were doing and squint all around, in search… by Tania James | Mar, 2018

A Points South essay from the 100th issue.  “For more than three decades this maddening story of Evers’s murder and the question of Beckwith’s guilt or innocence has been told again and again, in conflicting voices and varying contexts, with… by Alan Huffman | Mar, 2018

A Points South essay from the 100th issue. If the earth is wet enough and acidic enough, the first thing you’ll find when you start digging up a grave is a coffin-shaped halo in the ground. That’s the mark left… by Christopher Cox | Mar, 2018

A Points South story from the 100th issue. First off, let me tell you that if you hold a rat snake in your lap and cup your hand around him and let him move along through your cupped hand you… by Clyde Edgerton | Mar, 2018

A feature essay from the 100th issue. From across the broad and whitecapped Indian River, the Kennedy Space Center looks like two tiny Lego sets in the distant vegetation. The palms here are windswept, the oaks are scrubby. Pelicans bob… by Lauren Groff | Mar, 2018

 A Letter from the Editor, Spring 2018. This issue is packed with other luminaries: Nikki Giovanni, Lolis Eric Elie, and Wendell Berry express the tenderness of our closest relationships. Randall Kenan and Thomas Pierce, contemporary masters of Southern fiction, offer… by Eliza Borné | Mar, 2018

Poems from the Spring 2018 issue. One white anemone,the year’s first flower,saves the world. by Wendell Berry | Mar, 2018

September 23, 2015

When I first opened Stanford’s slim book of posthumously published selected work, The Light the Dead See, every word rang true and glowed like burning coal. I was enraptured by his recklessness, his rebelliousness, his loneliness; I drank up his language like whiskey and was pulled into his dangerous, nocturnal world full of energy and eroticism and death.

September 01, 2015

This issue includes “The Battle of and for the Black Face Boy,” a radical libretto by Nikky Finney; a profile of a transgender drug counselor who lives on the border of El Paso and Ciudad Juárez, by Jonathan Blitzer; John T. Edge’s exploration of Southern theme restaurants; and more.

August 07, 2015

The sun’s shining through the windows in Georgia. A poet climbs into her attic and takes down a box of old photos, opens it, and tilts the images into the light. A page from an old notebook peeks out of the stack. Jimmy Rabbitt’s “Wheels’ Rollin’” starts skipping on the record player.

May 08, 2015

The sun rises over the mountains. A young girl wakes up and pads to the kitchen, where a pot of coffee has been left alone to brew. A plane passes close overhead. Out on the deck, a frayed hammock swings in the breeze.