A Writing on Writing essay from the 100th issue. I found myself in Jones’s writing. Kentucky. Black. Rural. Woman. I was especially taken with how she drew characters from the oral storytelling tradition and then broadened that form into her… by Crystal Wilkinson | Mar, 2018

An installment in Chris Offutt’s Omnivore column, Cooking with Chris.  According to the exuberant advertising, my Echo was in full possession of sixty thousand recipes, which is why it’s worth writing about in a “food essay.” I have a very large… by Chris Offutt | Mar, 2018

A Points South essay from the 100th issue. In chronicling the civil rights movement, one inevitably develops an interest in how racial crimes are remembered in the community where they happened—in the way they gradually turn into folklore—and in Memphis,… by Benjamin Hedin | Mar, 2018

A Points South essay from the 100th issue.  “For more than three decades this maddening story of Evers’s murder and the question of Beckwith’s guilt or innocence has been told again and again, in conflicting voices and varying contexts, with… by Alan Huffman | Mar, 2018

A Points South essay from the 100th issue. If the earth is wet enough and acidic enough, the first thing you’ll find when you start digging up a grave is a coffin-shaped halo in the ground. That’s the mark left… by Christopher Cox | Mar, 2018

A Points South essay from the 100th issue.  New Orleans loves to celebrate and romanticize its French and Spanish influences. But so much of the city’s culture—the food, the music, the dance, Mardi Gras itself—is indebted to the Caribbean. New… by Laine Kaplan-Levenson | Mar, 2018

A feature essay from the 100th issue. From across the broad and whitecapped Indian River, the Kennedy Space Center looks like two tiny Lego sets in the distant vegetation. The palms here are windswept, the oaks are scrubby. Pelicans bob… by Lauren Groff | Mar, 2018

 A Letter from the Editor, Spring 2018. This issue is packed with other luminaries: Nikki Giovanni, Lolis Eric Elie, and Wendell Berry express the tenderness of our closest relationships. Randall Kenan and Thomas Pierce, contemporary masters of Southern fiction, offer… by Eliza Borné | Mar, 2018

Poems from the Spring 2018 issue. One white anemone,the year’s first flower,saves the world. by Wendell Berry | Mar, 2018

March 08, 2016

A self-mythologizing takes place when we assimilate the stories of our ancestors into our own—it’s automatic. We tell ourselves that their triumphs have somehow entered our bloodstream. We’re not descendants, we think; we’re heirs—heirs to intangible qualities (ambition, brilliance, endurance) through the fact of a thoroughly diluted blood tie.

January 25, 2016

Yell If You Think You Might Be Sinking by Taylor Finke examines the homes of women—including Finke’s mother—with whom the photographer has lived. Never quite at home in these places, Finke uses the settings to examine her own ideas about space and domesticity.

November 09, 2015

I’m hunting the bones of the outlaw Leslie Cox. For a long time rumor was that Cox, a surly, dark-haired drifter from up around Fort White, Florida, was hiding out here in the Ten Thousand Islands, prowling its knotted creeks and salt marsh bogs, and just might turn up on your porch one evening to settle old scores. “Unless Watson killed him, which nobody believed, Cox was still there,” Peter Matthiessen writes in Shadow Country, his fictional re-jiggering of this region’s most hard-dying legend. Of course we’re talking ages ago. Cox, even if he did live out his life in this wilderness, is long gone now.

August 10, 2015

Daniel Kraus’s series Do Not Grow Weary examines the lives of evangelical pastors in rural Florida. In a profession that demands constant attention to congregants, they struggle to balance their personal and professional lives.

July 20, 2015

Memories, particularly with loved ones, are a curious phenomenon. The good ones often do not fully announce themselves as anything close to “good” when they are happening. It’s only after the event, when a new perspective is gained, that they become an accepted—or funny, or weird, or sweet—episode in family history.

July 08, 2015

At some point in the late Gilded Age of America, rich white people decided winter would no longer be tolerated. The impertinence of cold, the incommodiousness of ice, the dirt of the coal fire, the gray of the sky—these were for ordinary people, not the titans who controlled the banks and the steel mills and the oil fields and the railroads and the bootlegging. They went to Florida.

July 01, 2015

From the archive.

Billy Mitchell, the most knowledgeable and masterful Pac-Man player ever to drop a quarter in a machine, is a hard man to find. When I asked one of his best friends, Walter Day, the best way to get in touch with him, Day told me, “First I spend an hour praying to God, then I visit a psychic, then I place a classified ad, then I hire a plane to carry a banner that says CALL ME BILLY! and make it fly all over South Florida. Because he might be anywhere.”

May 01, 2015

I came from New York to the racetracks of Florida as a groom but also as a poet, one who wasn’t writing very much. It took some time to end up in a good stable, but I was young and the timing of youth has a sense of the divine, or so it seemed when one day I found myself working for Woody Stephens, who had one of the best training outfits in America.

April 06, 2015

In Florida’s Waterfront Wonderland Sean Salyards turns his lens to the real estate developments in Cape Coral, Florida. The series was inspired by Salyards’s late grandfather—a longtime resident of the Cape—as well as his father, who died of cancer in 2007.

February 26, 2015

A short story by John McManus.

I first met Max on my way home from the Gulp, a bottomless whirlpool in the Everglades where people go to commit suicide. This was in 2005. You have to hike six miles along a blackwater canal dug by Andrew Jackson’s slaves, to a remote lake where you wade out until you’re sucked under to drown. Your body turns up in the Intracoastal Waterway. I don’t know the physics of it.

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