Track 5 – “Don’t Play That Song (You Lied)” by Ruby Johnson Then there’s the stripe of love-sickness where you’re not even sure it’s hurting. The pain often masquerades as energy, even optimism, yet there is always, in Johnson’s phrasing—in… by Michael Parker | Nov, 2018

A Points South essay from the North Carolina Music Issue. I remember the dB’s. I was eighteen. It was 1982. The band was still together.  I remember time and space were different then, and information moved incrementally through these media.… by Jonathan Lethem | Nov, 2018

A Points South essay from our North Carolina Music Issue. “Reina de mis . . . Reina de mis . . .” And it struck me suddenly, as I stared down at my notebook at my messy handwriting, how without… by Lina María Ferreira Cabeza-Vanegas | Nov, 2018

A Points South essay from the North Carolina Music Issue. The songs I heard growing up, sung at family gatherings, and later as I documented music in recordings at Lumbee churches, ring with longing and sometimes nostalgia. They were standard… by Malinda Maynor Lowery | Nov, 2018

A poem from the North Carolina Music Issue. It’s not what you think, not a back-tease aerosol of a band head-banging to a half-cracked amp nor the flame-decal of a beater revving the gravel lot out back, hungry for a big-tiddied girl… by Nickole Brown | Nov, 2018

Track 1 – “Lights in the Valley” (Live) by Joe & Odell Thompson  They were part of a dying tradition: musicians from the community playing functional music for social dances, not to make a living but because that’s simply what… by Rhiannon Giddens | Nov, 2018

A Points South essay from the North Carolina Music Issue. As deeply in love as I was with blaring guitars, exploding amps, and metallic raving, I’d also been listening to James Taylor’s more intimate style of music since his first… by Will Blythe | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

August 07, 2017

Richard Max Gavrich’s Across the Brown River explores “memories of past fictions” in towns along the Mississippi River. Inspired by Flannery O’Connor’s obsession with place, Gavrich follows the river in search of the “ordinary and extra-ordinary.”

May 18, 2017

An installment in our weekly story series, The By and By. 

Beneath all I’m a low-church Protestant, splinter spit from the door when Martin Luther nailed up his paper at Wittenberg. I remember being warned as a child not to attend a church with cushioned pews: insufficiently austere.

September 29, 2014

Digging through this hard clay, I dig through history. I take the blood-red clay of my native land and shape it with my own hands. This raw red earth symbolizes violence and vitality.

March 24, 2014

I’d take it out multiple times a day, turn it over in my hands, read the press materials—then put it back. Flannery O’Connor’s prayers. Flannery O’Connor’s prayers. In her handwriting. To peer over her shoulder and read what she’d written to God, and God alone?