An essay from the Place Issue When the locals are asked about the island’s history, they talk of pirates and Victorian-era seaside resorts, of fish, oaks, and oleander trees, and of storms and disappearing land. They never talk about surfers. by Kerry Rose Graning | Aug, 2020

An essay from the Place Issue There was a time when I would have given anything for this quiet space to reflect. As it is, I’m tired of thinking about God, and maybe the reason I can’t figure out how… by Jamie Quatro | Aug, 2020

A Points South essay from the Place Issue When I learned of El Refugio, I made a pledge to visit one day. Five years later, I made good on it. I thought of the stories inside of Stewart like a… by André Gallant | Aug, 2020

A poem from the Place Issue Symptoms include an inability / to admit to oneself, let alone some chimeric / Crip, or Capulet, our deepest fear is not / that we are inherently adversarial. Though, / perhaps, it should be. by Marcus Wicker | Aug, 2020

A featured short story from the Summer/Fall 2020 issue. We thought it was the hysterics, him saying over and over again that he couldn’t see, he couldn’t see. Momma was there and rocked over him and prayed the best she… by Halle Hill | Aug, 2020

 A Letter from the Editor, Place Issue. A tiresome stereotype about the American South is that this place is a monolith. Growing up in Arkansas, with the two sides of my family living in different regions of the state, I… by Eliza Borné | Jul, 2020

A feature essay from the Summer/Fall 2020 issue. Most people think of human trafficking as involving sex work, but trafficking occurs across a variety of industries, and migrants are as often coerced by threats of lawsuits and debt bondage as… by Rachel Mabe | Aug, 2020

An Omnivore essay from the Summer/Fall 2020 issue. Photographer Maury Gortemiller explores moments similar to this one in his series Do the Priest in Different Voices. I was startled to find my strange memories of this time reflected within his… by Jason Bruner | Aug, 2020

June 12, 2018

A Points South story from the Summer 2018 issue

In our collective memory, this land made it possible to take from so many. Now, I want it to give something back.

April 08, 2014

Bill Best, who founded the Sustainable Mountain Agriculture Center, saves seeds—not in the way that people save stamps or coins, but in the way that people save endangered species, or possessions from a fire. He grows and stores about 700 varieties of beans on his farm in Berea, Kentucky, where he lives with Irmgard, his wife of fifty-one years, in a midcentury ranch house she designed, with stone chimneys he built. Some of his seeds are more than 150 years old—one goes back to the American Revolution.

November 03, 2016

“I will fix this, if they let me,” says Will Harris of White Oak Pastures as he machetes through a briar-tangled bamboo thicket and scampers over a mossy boulder, plunging toward a ruined concrete-bordered public pool glossed with emerald slime and swarmed by dragonflies. For much of the nineteenth and twentieth centuries, this bottom-of-the-bluff park at the heart of Bluffton, a farming town on Georgia’s southwestern fringe, was a symbol of civic commonwealth for white settlers who staked claims after Andrew Jackson killed off and kicked out the Creek Indians in 1814.

March 28, 2017

I’ve glimpsed an urban gardening initiative that makes good on its promise of connecting real people with real food.

November 03, 2016

A video supplement to “The Harris Hegemony” by John T. Edge, published in the Fall 2016 issue.

“I wish I could tell you that I saw a burning bush or God spoke to me. But the truth is I became increasingly aware of the negative unintended consequences that came from the industrialization, commoditization, and centralization of agriculture.”

November 15, 2016

The fiftieth anniversary ceremony began with the singing of a corrido. As the guests of honor found their seats on the stage of the octagonal-roofed Kiosk on the first day of June, Daria Vera shuffled to the mic, gripping an official program with the lyrics on the back cover. The guitarist and accordionist struck up the first chord. Her deep, gravel-lined, distinctive contralto struggled to carry over the rumble of the cross-border freight trucks hemming us in on parallel one-way arteries of Highway 83 through downtown Rio Grande City, Texas.

February 27, 2017

Photographs from the Summer 2014 issue. 

Drawing from the famous nineteenth century portraits made by Doris Ulmann, Lisa Elmaleh’s project American Folk documents the contemporary development of traditional arts throughout the Appalachian Mountains.

June 26, 2016

Walking through the sliding glass doors of the Peabody Hotel, across plush carpets under high industrial chandeliers, the first person I saw was a guy in a t-shirt and kilt. Not a plaid kilt, but a leather kilt—more like a skirt that a Roman soldier might wear. The man had a name badge around his neck with ribbons hanging from it and it turned out he was one of the conference organizers. Welcome to SSAWG, the Southern Sustainable Agriculture Working Group—weird farmers of the South.