These photographs are fragments from William Price Glaser’s unwritten novel; moments he’s imagined (then found) during his time in the South.
For Zachary McCauley, making a home in the South is a matter of welcoming the often overlooked, banal moments of the land and people.
The 2016 news cycle published many articles and images of Eastern Kentucky as both white and poor. However, the town of Lynch, an historically African American community in Harlan County that was established in 1917 by the U.S. Coal and Coke Company, stands strong.
New Orleans Second Lines Culture presents traditions of New Orleans’s African American community seen in second line parades organized by social aid and pleasure clubs.
Known as the most haunted city on the east coast, Savannah, Georgia, is a place where people come and go, where, for many, it is easier to leave and forget than it is to stay and thrive. Carson Sanders moved to the Ghost Coast in the fall of 2009 and began to photograph those who make their home here.
Davie exploits Melanie Metz’s relationship with her hometown, Davie, Florida. By studying the unmediated movements of her childhood neighbors, Metz considers the impulse people share to join and build community.
Native to the Northeast, photographer Shane Lavalette developed his intimacy with the South primarily through the region’s traditional music, including old time, blues, and gospel. The themes and stories passed down in these songs became Lavalette’s natural entry point for the project One Sun, One Shadow.
Slowly, Over Time is a documentary of Parker Stewart’s neighborhood in Savannah, Georgia, recorded over a half decade.
A skateboarder, John Prince spent his formative years in spaces designed to be invisible and ignored. The Near and Elsewhere explores the idea of place and what defines it.
Justin Ward’s Unmanned Landscapes uses a consumer-grade unmanned aerial vehicle to photograph Savannah, Georgia’s suburbs.
