An essay from the Place Issue When the locals are asked about the island’s history, they talk of pirates and Victorian-era seaside resorts, of fish, oaks, and oleander trees, and of storms and disappearing land. They never talk about surfers. by Kerry Rose Graning | Aug, 2020

An essay from the Place Issue There was a time when I would have given anything for this quiet space to reflect. As it is, I’m tired of thinking about God, and maybe the reason I can’t figure out how… by Jamie Quatro | Aug, 2020

A Points South essay from the Place Issue When I learned of El Refugio, I made a pledge to visit one day. Five years later, I made good on it. I thought of the stories inside of Stewart like a… by André Gallant | Aug, 2020

A poem from the Place Issue Symptoms include an inability / to admit to oneself, let alone some chimeric / Crip, or Capulet, our deepest fear is not / that we are inherently adversarial. Though, / perhaps, it should be. by Marcus Wicker | Aug, 2020

A featured short story from the Summer/Fall 2020 issue. We thought it was the hysterics, him saying over and over again that he couldn’t see, he couldn’t see. Momma was there and rocked over him and prayed the best she… by Halle Hill | Aug, 2020

 A Letter from the Editor, Place Issue. A tiresome stereotype about the American South is that this place is a monolith. Growing up in Arkansas, with the two sides of my family living in different regions of the state, I… by Eliza Borné | Jul, 2020

A feature essay from the Summer/Fall 2020 issue. Most people think of human trafficking as involving sex work, but trafficking occurs across a variety of industries, and migrants are as often coerced by threats of lawsuits and debt bondage as… by Rachel Mabe | Aug, 2020

An Omnivore essay from the Summer/Fall 2020 issue. Photographer Maury Gortemiller explores moments similar to this one in his series Do the Priest in Different Voices. I was startled to find my strange memories of this time reflected within his… by Jason Bruner | Aug, 2020

July 24, 2018

Richard Schramm captures the town of Enfield, North Carolina—a place that is currently “looking back so that it can look ahead.” Enfield has a rich agricultural history, but like many towns of its kind, mid-twentieth century mechanization upended the local economy. Today, Enfield is home to many abandoned storefronts and warehouses.

August 28, 2018

In his predominately aerial photographs, Daniel Kariko evaluates the landscape of Florida’s many stalled residential developments, most of which were initiated and abandoned in the previous decade’s housing crisis.

August 07, 2018

Jeremiah Ariaz documents the longstanding tradition of black trail-riding clubs among Creole communities in South Louisiana, drawing from scenes of their rides to “depict joy, pride, and familial intimacy, particularly between fathers and sons who are taught to care for and ride horses from an early age.”

August 14, 2018

In the stark, quiet images of Summer Time Boys, Alex Christopher Williams explores his understanding of black masculinity in America, communicating his own experience as a mixed race child.

September 05, 2018

Mangrove swamps occupy a vital role in the health of a coastline, particularly under the threat of increasingly powerful storms and rising seas. Inspired by his recollections of mangrove swamps while growing up on Florida’s Gulf Coast, Benjamin Dimmitt decided to revisit the shoreline, paying close attention to the unsuspected beauty and vitality of these resilient organisms.

September 25, 2018

For over a year and a half, on the southeast corner of Lake Okeechobee, Sofia Valiente has befriended, lived among and photographed the residents of Miracle Village, an intentional community of over one hundred convicted sex offenders.

October 09, 2018

The images in Michael Wriston’s project, Ask and it Shall Be Given to You, traverse the often unseen, rural corners of Alabama, Georgia, and South Carolina, capturing the stillness and vivid life of small towns, their residents, and the land that holds them.

October 16, 2018

The stark and vulnerable images in Byan Schutmaat’s project, Good Goddamn, follow his close friend, Kris, in the final evenings leading up to a five-year prison sentence.

October 23, 2018

Drawn initially to these images of displaced funeral bouquets as a distraction from his own grief, Joel Whitaker came to observe these abandoned flowers and sentimental ephemera as a necessary counterbalance to the somber etiquette of death, a reminder of the “impermanence of the original, well-planned, and ordered memorial.”

November 06, 2018

Rosalind Fox Solomon’s Liberty Theater comes from a period of traveling throughout the South between the 1970’s and 1990’s, documenting the influence of discrimination from Alabama to Florida, Georgia, Louisiana, Mississippi, South Carolina, and Tennessee.