One of eight historic African-American neighborhoods in Raleigh, North Carolina, SE Raleigh was first settled more than 130 years ago. Once a hub for business, education, and cultural life, rising property taxes and increased rent have forced many people in the area to move out of their homes.
In Myths of the Near Future Rob Stephenson considers the “Space Coast” of Florida after the closing of the Kennedy Space Center’s shuttle program. Interested both in documenting the very real economic struggles communities surrounding the Space Center have faced in the aftermath of the program’s end, and in exploring the “ambiguous realm between dream and reality, between past and future, nature and technology,” Stephenson’s photographs provide a portrait of a place suspended: “nostalgi[c] for the future as the promise of the Space Age slowly fades away.”
In Through Darkness to Light: Photographs Along the Underground Railroad Jeanine Michna-Bales recreates the long voyage north toward freedom as it might have looked through the eyes of a single individual “oftentimes carrying little more than the knowledge that moss grows on the north side of trees.” These photographs of unpeopled rural landscapes, taken almost exclusively under the cover of descending or ebbing darkness, contain a sense of both intimacy and mystery, conveying “how vast, strange, and forbidding these remote places must have felt to those making the journey” with an almost painful steadiness of vision.
The photographs in Meghan Kirkwood’s Four Blocks in Chalmette were taken at four intervals within a four-block area of Chalmette, Louisiana between 2008 and 2017. Located east of the lower Ninth Ward, Chalmette sustained heavy flood damage during Hurricane Katrina. The neighborhood Kirkwood photographed, dense with rental properties, has been particularly slow to recover.
Ethan Tate’s photographs of Pine Bluff, Arkansas, reflect a complicated homecoming; Tate lived in the community when he was young and wasn’t entirely happy to return as an adult. He took long drives through the Delta as a way of re-acclimating to the place.
Brett Schenning’s Small Towns, Big Dreams examines the effects 2008’s Great Recession had on rural American communities. Schenning is interested in what was left behind when many families who had settled in small towns “looking for a quieter way of life” were forced to move closer to urban centers and the employment possibilities they offered, and his photographs focus, in part, on that absence.