The stark and vulnerable images in Byan Schutmaat’s project, Good Goddamn, follow his close friend, Kris, in the final evenings leading up to a five-year prison sentence.
The images in Michael Wriston’s project, Ask and it Shall Be Given to You, traverse the often unseen, rural corners of Alabama, Georgia, and South Carolina, capturing the stillness and vivid life of small towns, their residents, and the land that holds them.
For over a year and a half, on the southeast corner of Lake Okeechobee, Sofia Valiente has befriended, lived among and photographed the residents of Miracle Village, an intentional community of over one hundred convicted sex offenders.
In his striking interior and exterior glimpses of the funeral industry in the rural South, Tim Hursley’s photos feature shots of errantly parked hearses, casket showrooms, ranks of carved granite, and portraits of rusted silos and warehouses that look, too, by nature of their juxtaposition, like rows of planted headstones.
In A Southern Myth, Yarbrough’s photos grapple with the persistent tropes, misconceptions, and pressures of belonging in the South, and assume a photographic language where “‘myth’ is used as a poetic device to narrate a struggle for both the artist and the region to maintain a sense of identity.”
Mangrove swamps occupy a vital role in the health of a coastline, particularly under the threat of increasingly powerful storms and rising seas. Inspired by his recollections of mangrove swamps while growing up on Florida’s Gulf Coast, Benjamin Dimmitt decided to revisit the shoreline, paying close attention to the unsuspected beauty and vitality of these resilient organisms.
In his predominately aerial photographs, Daniel Kariko evaluates the landscape of Florida’s many stalled residential developments, most of which were initiated and abandoned in the previous decade’s housing crisis.
In the stark, quiet images of Summer Time Boys, Alex Christopher Williams explores his understanding of black masculinity in America, communicating his own experience as a mixed race child.
Jeremiah Ariaz documents the longstanding tradition of black trail-riding clubs among Creole communities in South Louisiana, drawing from scenes of their rides to “depict joy, pride, and familial intimacy, particularly between fathers and sons who are taught to care for and ride horses from an early age.”
Richard Schramm captures the town of Enfield, North Carolina—a place that is currently “looking back so that it can look ahead.” Enfield has a rich agricultural history, but like many towns of its kind, mid-twentieth century mechanization upended the local economy. Today, Enfield is home to many abandoned storefronts and warehouses.
