Notes on the songs from our 21st Southern Music Issue Sampler featuring South Carolina. It is fitting that this Southern Music Issue (the Oxford American’s twenty-first) devoted to South Carolina should come in 2019, as the nation moves to better… by Oxford American | Nov, 2019

A Points South essay from the South Carolina Music Issue. A problem solver, Jones would ultimately get his drums from his mother’s record collection, as her Charles Wright and Isaac Hayes albums began migrating into his room. “There wasn’t enough… by Dave Tompkins | Nov, 2019

A feature essay from the South Carolina Music Issue.  Outside of his studies, Ron joined, and eventually presided over, the A&T karate club, and still made time to stay sharp on his saxophone. “People talk about born geniuses, but I… by Jon Kirby | Nov, 2019

A liner note essay from our South Carolina Music Issue We all know that Southern music needs to be heard and celebrated. However, visibility (exposure) cannot be pitted against our chance at a healthy life. The Oxford American’s ask of… by Anjali of Diaspoura | Nov, 2019

A graphic story from the Fall 2019 issue.  Like many cities, Little Rock is a place of ghosts. The dead hover and haunt, though their stories often go untold. This story is a work of fiction inspired by some of… by Van Jensen & Nate Powell | Sep, 2019

A feature short story from the Fall 2019 issue. The godmother is like an ancestor who never really left. Someone who’s here even when they’re not. The godmother is what happens when somebody asks your name and you suddenly can’t… by Selena Anderson | Sep, 2019

A new episode of Points South is now playing!Subscribe today and never miss an episode. Episode Four features the OA editors discussing the upcoming South Carolina Music Issue and sharing their favorite stories and behind-the-scenes moments. Plus: A preview of the issue’s… by Sara A. Lewis | Nov, 2019

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

December 18, 2013

One Sunday night a month, around 8:30 P.M., or whenever the long, narrow, art-bedecked space of Canvas Lounge finally fills with revelers, the strains of “Let There Be Praise,” sung by Sandi Patty, the ’80s- and early ’90s-ruling inspirational star with two first names, come through the P.A. With the final perky, theatrical note still ringing in the air, the bar’s proprietor, playing the part of Pastor Peter in plaid polyester shorts hiked up to his ribcage and anchored there by a wide white belt, grabs a microphone from the deejay booth and introduces the Dickson Chicks: Marlene, Carlene, and Darlene.

December 11, 2018

From the dressing room to the stage, Josseline Martinez’s images capture the scenes of intimacy and joy involved in the performances of Savannah-based drag troupe House of Gunt, documenting a night in the life of queens like Carmen iCandy, Xandra Ray, Treyla Trash, LaZanya Ontre, Vegina George, Edna Allan Hoe, and Influenza Mueller.