An essay from the Place Issue My dad wanted his death, like his life, to be a work of art—a tomb he designed and filled with ceramics—and one that would allow him to define death on his own terms. My… by Alice Driver | Aug, 2020

An essay from the Place Issue The quest was half-ironic, but I was hoping at the same time to feel something I couldn’t make fun of. If a revelation from the Earth manifested inside my body, well, that would mean… by Liam Baranauskas | Aug, 2020

An essay from the Place Issue This congregation is the only one in eastern Alabama and was born out of a potluck dinner for Rosh Hashanah in the early ’80s when a local couple invited four friends over, telling them… by Carly Berlin | Aug, 2020

A feature essay from the Summer/Fall 2020 issue. This is how so many black families lose their land. One person wants to sell and starts an action that can force a sale. And if a developer wants the land, he… by Rosalind Bentley | Aug, 2020

A featured conversation from the Summer/Fall 2020 issue. “The pandemic in the United States opened up the truth of what that nation is about. Like a volcano, truth just came pouring out. Just layers and layers and layers. I keep… by Minnijean Brown Trickey and Crystal C. Mercer, moderated by Danielle A. Jackson; photographs by Ebony Blevins | Aug, 2020

A Points South essay from the Place Issue As of today’s journey, our family has been in quarantine for more than a hundred days. Summer camp plans have fallen by the wayside, much like those color-coded home-school schedules parents passed… by Karen Good Marable | Aug, 2020

An Omnivore essay from the Summer/Fall 2020 issue. Johns has said that, even as a child, he wanted to be an artist—only he didn’t know what an artist was. “In the place where I was a child, there were no… by Baynard Woods | Aug, 2020

 A Letter from the Editor, Place Issue. A tiresome stereotype about the American South is that this place is a monolith. Growing up in Arkansas, with the two sides of my family living in different regions of the state, I… by Eliza Borné | Jul, 2020

June 29, 2017

An installment in our weekly series, The By and By.

From the Center for Documentary Studies at Duke University: It’s not easy to stand out and get noticed in the existing sea of podcasts, but Scene on Radio grew its listenership at a steady, respectable rate. Then, earlier this year, John rolled out a new series of episodes—and things got crazy. An example, among many: one of the world’s leading radio production companies tweeted, “Currently the best thing coming out of the U.S. podcast scene.”

July 19, 2017

An installment in our weekly series, The By and By.

I cannot tell you how exciting it is to see this surge of young people saying, “We’re pretty clear on what our values are. We’re pretty clear on what we want our futures to look like, and here are some ways we’re getting there. And we’re not asking permission. We’re just doing it.” 

October 10, 2018

An installment in our weekly series, The By and By.

My first full hurricane season in the Bahamas in over twenty years found me struggling to ensure we were storm ready while adjusting to our family’s new normal.

December 06, 2018

An installment in our weekly series, The By and By.

Winding through these towns, behind buildings and homes, across fields—I am struck by the train’s intimate perspective. The very idea that I was looking into people's backyards felt voyeuristic; I could not avert my eyes. The fields seemed close enough to touch as we plowed through. I could almost feel the wind, the tall stalks of grass.

November 21, 2019

An installment in our weekly series, The By and By.

As Center for Documentary Studies (CDS) audio director John Biewen preps for the next season of Scene on Radio, the podcast is headed to 5 million downloads, episodes are being used in classrooms and independent discussion groups across the country, and media outlets—Los Angeles Review of Books, Columbia Journalism Review, Buzzfeed, among others—have taken note. Here, John sets the scene for the upcoming season.

October 02, 2019

An installment in our weekly series, The By and By.

Full Frame artistic director Sadie Tillery talks to filmmakers Steven Bognar and Julia Reichert about how they started out, their collaboration, and how their roots in the Midwest shape their work. 

August 14, 2019

An installment in our weekly series, The By and By.

My family has always believed that American cooking is basically about following scientific steps in order to recreate a taste, but that Chinese cooking is about creating flavor using only what we have on hand and in our imaginations. I was putting that theory to the test.

June 19, 2019

An installment in our weekly series, The By and By.

Although we’d been learning about his work since Sherrill first arrived at CDS in September 2018, our D.C. journey with him would be the first chance for us to both witness and experience the Jumpsuit Project firsthand.

April 30, 2019

An installment in our weekly series, The By and By.

CDS Shortwave is a new project from the Center for Documentary Studies’ DocX lab—a place for technology-influenced, imaginative thinking around documentary forms, styles, and perspectives.

March 13, 2019

An installment in our weekly series, The By and By.

There is no static history. It lives on, layered in the landscape, painted on the brick mills. Through investigating the ripples of the words and deeds of local postbellum industrialist Julian Shakespeare Carr, paradoxically called “the most generous white supremacist,” and reenacting scenes from the childhood of Pauli Murray, an unsung civil and women’s rights activist, the film scratches away at surfaces of stories about Durham, North Carolina.

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