An installment in our weekly series, The By and By.
From the Center for Documentary Studies at Duke University: It’s not easy to stand out and get noticed in the existing sea of podcasts, but Scene on Radio grew its listenership at a steady, respectable rate. Then, earlier this year, John rolled out a new series of episodes—and things got crazy. An example, among many: one of the world’s leading radio production companies tweeted, “Currently the best thing coming out of the U.S. podcast scene.”
An installment in our weekly series, The By and By.
I cannot tell you how exciting it is to see this surge of young people saying, “We’re pretty clear on what our values are. We’re pretty clear on what we want our futures to look like, and here are some ways we’re getting there. And we’re not asking permission. We’re just doing it.”
An installment in our weekly series, The By and By.
My first full hurricane season in the Bahamas in over twenty years found me struggling to ensure we were storm ready while adjusting to our family’s new normal.
An installment in our weekly series, The By and By.
Winding through these towns, behind buildings and homes, across fields—I am struck by the train’s intimate perspective. The very idea that I was looking into people's backyards felt voyeuristic; I could not avert my eyes. The fields seemed close enough to touch as we plowed through. I could almost feel the wind, the tall stalks of grass.
An installment in our weekly series, The By and By.
Full Frame artistic director Sadie Tillery talks to filmmakers Steven Bognar and Julia Reichert about how they started out, their collaboration, and how their roots in the Midwest shape their work.
An installment in our weekly series, The By and By.
My family has always believed that American cooking is basically about following scientific steps in order to recreate a taste, but that Chinese cooking is about creating flavor using only what we have on hand and in our imaginations. I was putting that theory to the test.
An installment in our weekly series, The By and By.
Although we’d been learning about his work since Sherrill first arrived at CDS in September 2018, our D.C. journey with him would be the first chance for us to both witness and experience the Jumpsuit Project firsthand.
An installment in our weekly series, The By and By.
CDS Shortwave is a new project from the Center for Documentary Studies’ DocX lab—a place for technology-influenced, imaginative thinking around documentary forms, styles, and perspectives.
An installment in our weekly series, The By and By.
There is no static history. It lives on, layered in the landscape, painted on the brick mills. Through investigating the ripples of the words and deeds of local postbellum industrialist Julian Shakespeare Carr, paradoxically called “the most generous white supremacist,” and reenacting scenes from the childhood of Pauli Murray, an unsung civil and women’s rights activist, the film scratches away at surfaces of stories about Durham, North Carolina.
An installment in our weekly series, The By and By.
As James Taylor puts it, “These images of our dear friend and native son, Reynolds Price, are precious reminders of a lovely life, fully lived and generously shared with those of us lucky enough to have known him. Every page summons the memory of that indomitable spirit and wry conspiratorial humor. How could he be both compassionate and wicked? It is even good to miss him.”
