An essay from our forthcoming place issue At her restaurant, Mosquito Supper Club, and in her cookbook of the same name, Melissa Martin sets out to record the foods and recipes that cannot be found on New Orleans’s restaurant menus… by Leslie Pariseau | Jul, 2020

A feature essay from the Spring 2020 issue. I moved to Texas in 2017 and returned often to Dilley. When I would chat with residents—after a city council meeting, at the nail salon, before a cook-off—they’d ask if I was… by Emily Gogolak | Mar, 2020

A feature essay from the Spring 2020 issue. I wasn’t sure how to explain to a rising high-school junior why I’d followed her and her classmates to Belize. I’d met Pierre-Floyd a few months before during a tour of Frederick… by Casey Parks | Mar, 2020

A short story from the Spring 2020 issue I tell him goodbye and go wander around the beauty section in Dillard’s. I find the perfume like what I’m wearing on display and I spray some more on. I find a… by Ashleigh Bryant Phillips | Feb, 2020

A feature essay from the Spring 2020 issue. History is, in part, the memories we choose to protect and reinforce, to ensure their longevity and influence. In Thibodaux’s protected memory, sugarcane has endured, plantations have endured, Confederate heroes have endured—but… by Rosemary Westwood | Mar, 2020

A Points South essay from the Spring 2020 issue When we weren’t whizzing through intersections, I was trying to read road signs, thinking that their letters, dimly lit by our headlights, would give me some kind of orientation on this… by Malinda Maynor Lowery | Mar, 2020

A featured short story from the Spring 2020 issue. She stopped short. The dogs would have passed without noticing her, but Seth had to give them a parting yap. In a second they wheeled around and came straight at her,… by Ben Fountain | Mar, 2020

 A Letter from the Editor, Spring 2020. Over the years, I have come to admire a certain kind of story that the Oxford American, as a quarterly magazine untethered from the demands of a rapid news cycle, is especially well… by Eliza Borné | Mar, 2020

We would like to hear from you.  The magazine will begin publishing letters to the editor in the fall issue and going forward. If you would like to respond to a story published in the magazine, we welcome your letter. by Oxford American | Jun, 2019

January 25, 2017

Ethnomusicologists have continued to do necessary and significant research, both in the field and beyond, but it’s difficult to muster up a modern analogue for Lomax. No other single figure is as invested in the American musical canon, or as influential. In part that’s the result of a global shift towards self-mythologizing: we all maniacally catalogue and broadcast our lives now, ensuring our legacies to both transcendent and humiliating ends. Who needs Lomax when we have YouTube?

November 04, 2013

We are saddened to learn of the death of bluegrass legend Dave Evans on Sunday, June 25, 2017. He was sixty-five. Revisit Lee Johnson’s story about Evans from our Fall 2013 issue.

Not long after my friend Pete and I met, he asked if I wanted to go with him to East Kentucky for Dave Evans’s sixtieth birthday party. I didn’t recognize the name at first, but from what Pete told me about the man, it sounded like it would be a great opportunity to play music and really learn from a master.

October 29, 2015

“They all seemed together by ear,” according to Nancy Blake. “It was the first time I’d ever seen hillbilly string musicians hit that Charles Mingus headspace. I knew there was music coming into the world that had never been in it before.”

November 21, 2017

Bounding from one circle of attendees to another, dispensing heartfelt hugs and introducing himself and his Danish boyfriend to newcomers with the comportment of a Southern gentleman, was my friend Brandon Godman, a bearded, bearish hipster type whose jolly, grandfatherly laugh belied his twenty-nine years. He was the closest thing to a master of ceremonies, a thoroughly modern export of rural Kentucky who’d become a galvanizing presence in the Bay Area bluegrass scene.

January 11, 2018

Kentucky Music Issue web-exclusive: a conversation with director Vic Rawlings.

“Lee Sexton is a living master with four tracks on Mountain Music of Kentucky, a beautiful Smithsonian Folkways record from 1960. It remains a favorite record of mine—has been since I first heard it in the mid-nineties. I went to a few places mentioned in the liner notes when I made my first trip to Eastern Kentucky in 2004. My first stop was Roscoe Holcomb’s grave; it turns out he and Lee are cousins. After that, hoping to find Lee, I asked where Linefork was, and I was directed to drive along a two-lane road. I expected to find a small town or a store somewhere along there and planned to ask again about Lee. There was no town center, not even a gas station, and I spent most of the day searching.”