Photographs from the Summer 2017 issue by Johanne Rahaman with an introduction by Sarah Stacke.
Built in the early 1940s, Blodgett Homes is a 654-unit public housing complex. According to Cherlise, who was born in 1982, the community there used to operate like a family-minded village. But a downward spiral began in 1960 when Interstate 95 was built—with the government’s full understanding of the disruption it would cause—on the complex’s doorstep, provoking many families to move.
Photographs from This Land: An American Portrait.
Jack Spencer spent thirteen years working on the project and traveled more than eighty thousand miles across all forty-eight contiguous states looking for scenes and moments that he says are “an expression of the perception of an ideal.”
On view right now at the Nasher Museum of Art at Duke University is a crucial exhibition for these times. Southern Accent: Seeking the American South in Contemporary Art is a necessarily broad group of artwork that takes the South as its subject and approaches it from a wide array of viewpoints.
It’s a brisk February afternoon in Lexington, Kentucky, and Louis Zoeller Bickett II and I are sitting in his office, which is lined with 500 binders. A few shelves of author-signed books, all of them tagged and indexed, stand in the room behind me. Our coffee mugs are not tagged, but the small Windsor chair I’m sitting in is.
“My father was a coal miner for thirty-five years and died of black lung,” Howard told me, while resting from the heat and overhead brushstrokes of the outdoor mural he’s working on for a local food pantry. “When I [told my father] I wanted to study art—well, that wasn’t well received.”