An installment in John T. Edge’s Points South column, Local Fare. Time at Helen’s raises questions, small and large. Other than great barbecue, and my respect and affection for the woman who owns the restaurant, what calls me to Brownsville?… by John T. Edge | Sep, 2018

A Points South essay from our North Carolina Music Issue. “Reina de mis . . . Reina de mis . . .” And it struck me suddenly, as I stared down at my notebook at my messy handwriting, how without… by Lina María Ferreira Cabeza-Vanegas | Nov, 2018

A Points South essay from the North Carolina Music Issue. The songs I heard growing up, sung at family gatherings, and later as I documented music in recordings at Lumbee churches, ring with longing and sometimes nostalgia. They were standard… by Malinda Maynor Lowery | Nov, 2018

A poem from the North Carolina Music Issue. It’s not what you think, not a back-tease aerosol of a band head-banging to a half-cracked amp nor the flame-decal of a beater revving the gravel lot out back, hungry for a big-tiddied girl… by Nickole Brown | Nov, 2018

Track 1 – “Lights in the Valley” (Live) by Joe & Odell Thompson  They were part of a dying tradition: musicians from the community playing functional music for social dances, not to make a living but because that’s simply what… by Rhiannon Giddens | Nov, 2018

A Points South essay from the North Carolina Music Issue. As deeply in love as I was with blaring guitars, exploding amps, and metallic raving, I’d also been listening to James Taylor’s more intimate style of music since his first… by Will Blythe | Nov, 2018

Notes on the songs from our 20th Southern Music Issue Sampler featuring North Carolina. The profiles, eulogies, and essays herein boast of remarkable achievements of North Carolina’s musicians across eras and genres: from unassailable legends (High Point’s John Coltrane, Tryon’s… by Oxford American | Nov, 2018

A feature essay from the Fall 2018 issue. Prine radiates a sense of well-being, along with a sort of amused nonchalance toward potential disaster. This is a good thing, because the Coupe, as it turns out, has no passenger-side safety… by Tom Piazza | Oct, 2018

July 07, 2017

Jessica Ingram’s Road Through Midnight: A Civil Rights Memorial explores forgotten sites of the civil rights era. The project “is the result of a deep questioning of American racial history and ideas of collective memory, of how we mark historic sites—or don’t mark them.”

May 10, 2017

An installment in our weekly story series, The By and By.

Freshwater mussels live mostly buried. Their shell edges are parted like a surprised gasp, exposing two apertures. One intakes and the other releases water, which is how mussels eat, breathe, and even gather sperm to meet their eggs. Those apertures actually look like Georgia O’Keefe paintings—flower, female anatomy—elegant ovals decorated with variously shaped and colored papillae. Apertures, papillae, curve of a shell.
February 02, 2017

An essay from the Seventh Southern Music Issue, 2005. 

I walked back from the mall through a hammering twilight cloudburst clutching a wet paper bag. As laughing rednecks veered through puddles and blasted arcs of oily water over me, I thought grimly, “This better be worth it.” At home, I peeled the sodden paper off the plastic wrapper of Johnny Winter And: Live, peeled off my wet clothes, and collapsed naked on the bed to listen to the album.

March 30, 2017

Track 17 – “Miss You” by Alabama Shakes

This song is a new model—built on a standard frame, maybe, but showing an understanding of how the blues legacy both enables the expression of chaotic emotions and streamlines them, tuning them up for maximum performance within a structure that demands precision as much as openness.

January 11, 2017

A profile from the Oxford American’s 25th issue, 1999.

Christenberry is not simply a visual artist who reveres writers, especially Southern ones, his artistic vocabulary is directly shaped by them. His largest theme, like that of many novelists, is time, and he has a poet’s sureness of imagery and tone. He is perhaps the South’s most literary artist.

June 01, 2013

A story from our Summer 2013 issue. 

Tip\'tipn, vt, tipped; tipped; tipping; tips- a: a small piece or part, an end <Jimmy Addison’s body looks ghost white without his clothes on and his shoulders shake each time he thrusts in and out. He lasts longer than I expected and when I know I won’t come my mind drifts. My bedroom is cluttered with late-afternoon shadows, the August-Alabama heat a wet wall. Through the half-closed shutters clouds billow up over the horizon.

September 26, 2016

How to Orient Yourself in the Wilderness began as a way for photographer Jack Deese to distance himself from a documentary practice that had grown stale.

August 04, 2016

In 1927, for Zora Neale Hurston and Langston Hughes, America was full of promise. Their road trip through the South now seems a halcyon journey of friendship, bonhomie, adventure, and intellectual challenge.

June 09, 2016

My twin brother saw me as myself—the person I was before the accident.

June 08, 2016

Preservation, geography, and the passing of time are Kelly’s fascinations, and his images remind us that the mundane of our present moment will become the treasure of the backward-looking future.

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