An interview with Ansel Elkins.
The Alabama landscape is so completely saturated in my soul that it’s hard to gain perspective of just how much it’s in these poems. Because the land is so rooted in my work, trying to answer that question would be like trying to unearth barehanded one of those old shacks that’s been swallowed whole by kudzu. I could never know myself without these red clay hills.
Talking tornadoes with Justin Nobel.
I can imagine a world where tornado and typhoon have become forgotten and laughable words, and we no longer remember what it’s like to feel rain fall randomly from a cloud onto our faces or to be buffeted by a cold wind. That world frightens me.
In April 2011, a massive supercell tornado cut a 150-mile-long path of devastation across northern Alabama. These are the stories of the people who survived.
People tell me, “Milton, that don’t make sense.” And I tell them, “Exactly! What I seen don’t make sense.”
Grasping a starched napkin in his left hand and twirling a pair of mod eyeglasses in his right, Goren Avery shepherds the flocks who seek purchase nightly at Highlands Bar & Grill, this reliquary of a restaurant, the most vaunted in the South. This place, and, by extension, this city, is his domain.
In 2008, a massive retention pond at a Tennessee Valley Authority coal-fired power plant burst open, spilling more than a billion gallons of coal ash into the Emory and Clinch rivers, burying about 400 acres of land under six feet of ash. The spill was one hundred times greater in volume than the Exxon Valdez spill and by far the largest coal ash disaster in U.S. history. When TVA decided to send the ash by train to a small, poor, rural, mostly black community outside Uniontown, Alabama, the EPA approved the decision. That same day, the first train of eighty cars clicked down the tracks to Alabama.