July 11, 2016

My family is never mentioned by name in Harlan County, USA, but it is alluded to in many passages about the county’s history. Over this they were none too pleased, which poses a problem: I love the film.

October 02, 2019

An installment in our weekly series, The By and By.

Full Frame artistic director Sadie Tillery talks to filmmakers Steven Bognar and Julia Reichert about how they started out, their collaboration, and how their roots in the Midwest shape their work. 

June 05, 2017

The films and young filmmakers of the Summer Documentary Institute at Appalshop’s Appalachian Media Institute.

Introducing the film “Go Your Own Way” and its creators, Jaydon Tolliver, Elyssia Lowe, and Joshua Collier.

October 05, 2017

An installment in our weekly series, The By and By.

Collectively, the students’ work forms a nuanced, intimate portrait of communities as they struggle to survive. The completed videos are presented to local residents—there have been screenings in municipal buildings, town commons, baseball fields, churches—and hundreds of people attend. Feedback is near universal: In listening to the stories of their fellow residents, audience members have gained a deeper understanding of the impact of political, social, and cultural issues on their family, friends, neighbors, and fellow community members.

June 13, 2017

The films and young filmmakers of the Summer Documentary Institute at Appalshop’s Appalachian Media Institute.

Introducing the film “Justice for All” and its creators, Oliver Baker and Aaron Combs.

April 20, 2017

An installment in our weekly series, The By and By. 

One of the paradoxes of George Ellis’s career, in hindsight, is that alongside his run of cheap exploitation films, he maintained a parallel career as Atlanta’s first great arthouse film exhibitor. It adds a layer of complexity to his work, to know that his own taste was impeccable—he understood the full range of cinematic possibilities and would have seen exactly where his films fit into that spectrum. Around the time Demented Death Farm Massacre was hitting theaters, Ellis was introducing Atlanta to the French New Wave and the New German Cinema, hosting retrospectives of Chaplin and Bergman.

August 25, 2013

A conversation with Katrina Whalen, director of I Don't Talk Service No More, a film from the Charles Portis short story. 

“My dad used to throw around a quote from the old John Wayne True Grit. When I was getting too big for my britches, he would say, ‘Bold talk for a one-eyed fat man.’ I never had any idea what he was talking about.”

December 11, 2019

An installment in our weekly photography series, Eyes on the South

Eyes on the South curator Jeff Rich interviewed artist Alex Harris, whose series Our Strange New Land is the High Museum’s most recent Picturing the South commission. They were joined by the associate curator of photography at the museum, Gregory Harris, who worked closely with Alex on the exhibition.

December 05, 2019

In the latest installation for its Picturing the South project, Atlanta’s High Museum of Art presents Our Strange New Land: Photographs by Alex Harris. Taken over the course of two years and encompassing most of the South, Harris’s series documents independent film sets, exploring “how the region is seen, imagined, and created by contemporary visual storytellers.”