Oxford American Events
September 17, 2018

TUESDAY, OCT. 2, 2018 at 7:00 PM | LITTLE ROCK

The Oxford American magazine is excited to welcome the University of Central Arkansas Jazz I Ensemble to the South on Main stage. This event is free and open to the public.

May 03, 2018

SATURDAY, MAR. 2 & SUNDAY, MAR. 3, 2019 at 8:00 PM | LITTLE ROCK

A reprise performance of the No Tears Suite with expanded symphonic arrangements written by and featuring Rufus Reid (bass); Brian Blade (drums), and an Arkansas Symphony Orchestra chamber ensemble.

The No Tears Suite was written in honor of unity on the 60th anniversary of the Little Rock Central High School Crisis.

May 03, 2018

THURSDAY, MAR. 14, 2019 at 8:00 PM | LITTLE ROCK

“This is a killer organ trio barrage that’s deep in the pocket. Bernstein, Goldings and Stewart have a natural feel for this music, laying down a groove that lets each soloist float across the tunes.”
DownBeat

May 03, 2018

THURSDAY, JAN. 31, 2019 at 8:00 PM | LITTLE ROCK

“Trying to categorize or label vocalist Sarah Elizabeth Charles is a futile pursuit.”
All About Jazz

May 02, 2018

THURSDAY, NOV. 1, 2018 at 8:00 PM | LITTLE ROCK

“Much like the best of his contemporaries, Mr. Almazan revels in the space between musical styles, and between form and improvisation.”
Wall Street Journal

November 21, 2017

An interview with Les McCann from the Kentucky Music Issue. 

All through high school the band teacher and I were very good friends. He received tickets to all the bands and brought me to concerts. I was in perfect heaven. I never said no to anything. And my mother was a fake opera singer. She’d listen to the opera every Sunday while she cleaned house and wooooo, oh my God, it was great! Everybody was into something. Right across the street from our house was the Elk’s Club, so every Friday, Saturday, and Sunday night you’d hear a beautiful organ trio playing. 

November 21, 2017

A Points South essay from the Kentucky Music Issue. 

The last time I heard Jimmy Raney play was at Bellarmine College in Louisville. To know that a master like Raney had gone deaf was to know that a Rembrandt was burning. He played alone because he could no longer hear well enough to play with others.

November 10, 2007

Celebrating the idiosyncratic genius of Thelonious Monk, born in Rocky Mount, North Carolina, on October 10, 1917.

In a remarkable 1963 appearance with Juilliard professor and friend, Hall Overton, at the New School in New York, Monk demonstrated his technique of “bending” or “curving” notes on the piano, the most rigidly tempered of instruments. He drawled notes like a human voice and blended them (playing notes C and C-sharp at the same time, for example) to create his own dialect. Overton told the audience, “That can’t be done on piano, but you just heard it.” He then explained that Monk achieved it by adjusting his finger pressure on the keys, the way baseball pitchers do to make a ball’s path bend, curve, or dip in flight.

September 05, 2017

The lounge’s changes reflect those of Trenton, which has been hit by deindustrialization, white flight, falling property values, a cratering tax base, budget cuts, and a drop in educational resources. There is probably a recovery formula for the rest of the city somewhere in the tiny fragment of an integrated, prospering populace that materializes for the Candlelight Saturday Sabbath with its transubstantiation of mouthpiece, breath, drum skin, string, and inner ear stereocilia into camaraderie.

June 01, 2013

Some people come to the old Jazzland amusement park by way of the service road off Interstate 510, bringing their cars directly onto the grounds. Before the city stepped up security, I once saw a blue Corvette and black Chevy S-10 pull up and proceed to chase each other at top speed around the central lagoon, then disappear to the far end of the abandoned park. But if you come on foot, it’s best to slip through the hole cut in the chain-link fence, picking your way through the broken glass and shards of scrap metal in the parking lot.

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