May 14, 2019

A Conversation with Chris Offutt 

“I’m not much of a cook, and my relationship with food is more like fuel for a machine. In other words, I have to eat in order to do stuff—like be alive and write.”

April 24, 2019

A Conversation with Ashley M. Jones

“To me, she is beauty, she is grace, she is Miss America; America would never name her that, because she had hard features and was Black and proud, but she is what America is actually made of.”

April 22, 2019

A Conversation with Joan Shelley and Nathan Salsburg

I understand that if you’re a record store, you have to sort things and folk is an easy category for us to fall into. But if you’re a music nerd and a music writer then you would not say folk; folk wouldn’t mean a confessional songwriter, which is what I am. Folk music should be communal, something like, “You guys know this one? Here, sing along.”

April 12, 2019

For Sasha von Oldershausen, the physical landscape of West Texas is as rich in stories as the communities that populate it.

“To walk along these paths feels like you’re accessing the long history of the land.”

March 28, 2019

A conversation with Arkansas artist buZ blurr.

“Although my father and his father were railroad men, my maternal grandmother's father was a newspaperman who published weekly in three different cities in northeast Arkansas: at Gainesville, Rector, and Paragould. He learned the printer’s trade by apprenticing with Mark Twain on his brother Orion Clemens’ Hannibal, Missouri, newspaper prior to the Civil War. Thus I claim this as an atavistic trait for my affinity for print.”

September 24, 2018

A Conversation with Dr. Terrence Roberts and Mary Liuzzo Lilleboe

My commitment to non-violence is not shaped by the actions or attitudes of others. It is my firm conviction that membership in the human family demands that I treat my family members with respect, that I do unto them what I would have them do unto me. 

March 05, 2013

A conversation with Miller Williams. 

I do believe that poetry is more satisfying when it has a pattern similar to those of songs. I wish that I could sing well, as I’m sure you know my daughter Lucinda does, and writes her own songs. Hank Williams (no kinship there) told me that since he often wrote his lyrics months before he set them to music, they spent those months as sort-of poems. I think the kinship is real.

May 29, 2018

In Lament from Epirus, Christopher C. King finds his musical and spiritual Elysium. 

I call two places my home: I call my record room my home and I call Epirus my home. Where I was born and bred and raised up, and scarcely have left from, really bears little resemblance to what it was when I was growing up, so it’s hard to call it home anymore.

November 21, 2017

An interview with Les McCann from the Kentucky Music Issue. 

All through high school the band teacher and I were very good friends. He received tickets to all the bands and brought me to concerts. I was in perfect heaven. I never said no to anything. And my mother was a fake opera singer. She’d listen to the opera every Sunday while she cleaned house and wooooo, oh my God, it was great! Everybody was into something. Right across the street from our house was the Elk’s Club, so every Friday, Saturday, and Sunday night you’d hear a beautiful organ trio playing. 

July 28, 2017

A conversation with Summer 2017 fiction contributor Gothataone Moeng.

Joy and sorrow are communal and have a time and place. This can be pragmatic in anchoring people going through something difficult but doesn’t necessarily allow for individual processing of emotion. 

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