In his predominately aerial photographs, Daniel Kariko evaluates the landscape of Florida’s many stalled residential developments, most of which were initiated and abandoned in the previous decade’s housing crisis.

For over a year and a half, on the southeast corner of Lake Okeechobee, Sofia Valiente has befriended, lived among and photographed the residents of Miracle Village, an intentional community of over one hundred convicted sex offenders.

In an attempt to “fuse New Orleans and Miami as metro jungles,” Erin Krall’s Tropiques Plastiques showcases the real and synthetic vegetation of those two cities, forming an unconventional portrait of the urban American tropics.

In The Pines Chuck Hemard photographs remnants of the longleaf pinelands to reflect on the significance of loss and beauty in our past, present, and future. Hemard offers a glimpse of what was once “an extraordinary biodiverse ecosystem, rivaling that of tropical rain forests” while also exploring the tension between human settlement, environmental progress, and the beauty of nature.

In his series Palimpsests, film photographer Sean Crutchfield documents the places “where the past and present collide” in small-town Alabama, Georgia, and Florida.

In his project, Piedmont, Graham Hamby comments on the cycle of land development—creation, disrepair, and abandonment—with photographs of painted murals, abandoned storefronts, and spare landscapes.

Sensing herself “growing damp and static,” Grace Ann Leadbeater left Florida in 2012, thrilled by her escape. But soon she began to recognize—and long for—the joys of the place she once begrudgingly called home.

Thinly populated, rich in tone, and defined by wide, flat spaces and structures, Paradise’s images display the peculiar mix of isolation and liveliness unique to Dorsa’s home state.

With Cracker Politics, The Limit of Colonial Knowledge, photographer Michael Adno rethinks Florida’s complex colonial eras alongside the state’s present-day idiosyncrasies.

For more than thirty years, photographer Benjamin Dimmitt has visited a fragile spring-fed estuary on Florida’s Gulf coast.