From the time he began recording regularly with electric instruments, Dylan, his palette enlarged, fixated on reproducing the sounds inside his mind with minimal editing artifice. The making of Blonde on Blonde combined perfectionism with spontaneous improvisation to capture what Dylan heard but could not completely articulate in words.
The author reflects on his all-consuming obsession with the White Stripes: "But now—a husband and father of two young boys, a mortgage holder soon to be bushwhacked by forty? Is it not shameful, obsession in this strata of life? Shameful because irresponsible. Irresponsible because every real obsession is an expensive, fatiguing time-suck. How does a grown man come to obsess over a rock band unless something fundamental is lacking in his psyche and soul?"