An installment in our weekly series, The By and By.
Though we already had two hundred miles under our belts, that morning felt like the first real leg, the leg with daylight and sights, with the fresh feeling of a Prius on an open road: snacks uneaten, podcasts not yet listened to, the journey still limitless. Of course, as experienced readers know, travel hubris is a dangerous thing.
The photographs in Meghan Kirkwood’s Four Blocks in Chalmette were taken at four intervals within a four-block area of Chalmette, Louisiana between 2008 and 2017. Located east of the lower Ninth Ward, Chalmette sustained heavy flood damage during Hurricane Katrina. The neighborhood Kirkwood photographed, dense with rental properties, has been particularly slow to recover.
Ben Depp’s Bayou’s End is the result of three years “flying above the bayous and wetlands of southern Louisiana in a powered paraglider,” taking aerial photographs from thousands of feet above the ground. Depp spends hours at a time in the air, waiting for just the right moment to capture the “spaces where the geometric patterns of human enterprise—canals, oil platforms, pipelines and roads—collide with nature’s organic forms.”
Jeremiah Ariaz documents the longstanding tradition of black trail-riding clubs among Creole communities in South Louisiana, drawing from scenes of their rides to “depict joy, pride, and familial intimacy, particularly between fathers and sons who are taught to care for and ride horses from an early age.”
In a combination of materials—from municipal maps, to snapshots of demolition, to juxtaposed scenes of overpasses and children at play—Warwick aims to portray the challenging legacy of Old South Baton Rouge, while gesturing toward the strength and promise of its contemporary residents.
In his striking interior and exterior glimpses of the funeral industry in the rural South, Tim Hursley’s photos feature shots of errantly parked hearses, casket showrooms, ranks of carved granite, and portraits of rusted silos and warehouses that look, too, by nature of their juxtaposition, like rows of planted headstones.