In a book entitled What Is Art? Leo Tolstoy writes, “The satisfaction of our taste cannot serve as a basis for our definition of the merits of food.” In other words, being accustomed to a particular dish does not mean it’s good for us. In his own convoluted way, Tolstoy was defining “comfort food.” He was a nineteenth-century aristocrat who sold portions of his vast estate to pay off gambling debts, so his concept of comfort would differ mightily from yours and mine. He also got depressed a lot. He lost four children to early death and killed a bear at point-blank range, making him dang near a Russian version of Daniel Boone. He certainly thought like a Southerner when he wrote the opening line to Anna Karenina: “Happy families are all alike; and every unhappy family is unhappy in its own way.”
A video supplement to “The Harris Hegemony” by John T. Edge, published in the Fall 2016 issue.
“I wish I could tell you that I saw a burning bush or God spoke to me. But the truth is I became increasingly aware of the negative unintended consequences that came from the industrialization, commoditization, and centralization of agriculture.”
“I will fix this, if they let me,” says Will Harris of White Oak Pastures as he machetes through a briar-tangled bamboo thicket and scampers over a mossy boulder, plunging toward a ruined concrete-bordered public pool glossed with emerald slime and swarmed by dragonflies. For much of the nineteenth and twentieth centuries, this bottom-of-the-bluff park at the heart of Bluffton, a farming town on Georgia’s southwestern fringe, was a symbol of civic commonwealth for white settlers who staked claims after Andrew Jackson killed off and kicked out the Creek Indians in 1814.
Soon after arriving from Canada to live in the South, I became the first Latina food editor and columnist of a newspaper in North Carolina. It was 1996. My husband and I were settling into the small town of Cary, and we were the only Latinos in our neighborhood. I had been at the paper a week when one of my editors received a letter from a disgruntled subscriber, upset that her beloved paper had chosen “a Mexican” to write the cooking section. It hurt. Not only because my family is not Mexican (we’re Guatemalan), but also because the term Mexican isn’t an insult, and she clearly meant it as one. I took the slight as a challenge and set out to prove her wrong.
Thirty years ago, after traveling all night across the desert, I reached the West Coast and promptly jumped into the Pacific Ocean. My plan was to meet a slew of fabled California girls, who’d be deeply impressed with my country-boy resourcefulness and reward me with sexual favors. Instead, the cold undertow pulled me out to sea, and began pushing me far from my pile of clothes.
In the kitchen of the McCullers house, my boom box picked up an Alabama public radio station; after writing all day, and before reading all night, I would listen to the radio and cook, in the very room from which warm meals once emerged to feed the girl who grew up to write The Heart Is a Lonely Hunter.
Cooking with Chris.
Though not inclined to the supernatural, I am willing to recognize the effects of luck on my life, both good and bad. As a result I have many talismans of good fortune: a rabbit’s foot, a horseshoe, an oak leaf from a 150-year-old tree, and hundreds of lucky rocks. I don’t know if they work, and I don’t really care.