August 06, 2019

In his series Palimpsests, film photographer Sean Crutchfield documents the places “where the past and present collide” in small-town Alabama, Georgia, and Florida.

May 29, 2019

In his project, Piedmont, Graham Hamby comments on the cycle of land development—creation, disrepair, and abandonment—with photographs of painted murals, abandoned storefronts, and spare landscapes.

June 11, 2019

A Southern Journey from the Summer 2019 issue. 

In the Tampa exurbs, splashed across the side of a half-occupied strip mall, is a vast mural depicting the Victorian art critic-cum-philosopher-cum-political economist-cum-painter-cum-social reformer John Ruskin. He gazes out at an expanse of concrete and asphalt, most of his jaw coated in white paint to conceal an underlying scrawl of graffiti. It seems like a high-brow joke, to paint one of the nineteenth century’s leading critics of capitalism and industrialization to preside over a hollowed-out commercial landscape of accountants’ offices, pet grooming businesses, and laundromats.

March 12, 2019

Thinly populated, rich in tone, and defined by wide, flat spaces and structures, Paradise’s images display the peculiar mix of isolation and liveliness unique to Dorsa’s home state.

February 27, 2019

Sensing herself “growing damp and static,” Grace Ann Leadbeater left Florida in 2012, thrilled by her escape. But soon she began to recognize—and long for—the joys of the place she once begrudgingly called home.

January 08, 2019

In an attempt to “fuse New Orleans and Miami as metro jungles,” Erin Krall’s Tropiques Plastiques showcases the real and synthetic vegetation of those two cities, forming an unconventional portrait of the urban American tropics.

September 25, 2018

For over a year and a half, on the southeast corner of Lake Okeechobee, Sofia Valiente has befriended, lived among and photographed the residents of Miracle Village, an intentional community of over one hundred convicted sex offenders.

August 28, 2018

In his predominately aerial photographs, Daniel Kariko evaluates the landscape of Florida’s many stalled residential developments, most of which were initiated and abandoned in the previous decade’s housing crisis.

October 08, 2018

A feature essay from the Fall 2018 issue.

Prine radiates a sense of well-being, along with a sort of amused nonchalance toward potential disaster. This is a good thing, because the Coupe, as it turns out, has no passenger-side safety belt. Or rather it has the shoulder belt, but the thing on the seat into which it is supposed to latch is missing. I noticed this awhile back, and it worried me for a few minutes. But then I thought, If you’re going to buy the farm it might as well be in a ’77 Coupe de Ville with John Prine.

September 04, 2018

A Points South story from the Fall 2018 issue 

In the evenings, after the day’s rain, my grandfather drove through Starke counting cars in the lots of other motels, doing the math and feeling like a winner. For guests visiting family members held in the nearby state prison, home of Florida’s electric chair, he offered a special rate, either out of sympathy or, envisioning the stream of customers who would return once a month, good business sense. (Probably both, my mother says.)