From 2009 until 2015, our music issue featured a different Southern state every year (raise your hand if you’ve got them all: Arkansas, Alabama, Mississippi, Louisiana, Tennessee, Texas, and Georgia).
Last year, we departed from the series to examine “Visions of the Blues.”
In 2017, we are returning to the state series. And we are thrilled to share that it’s your turn, Kentucky.
The Commonwealth gave us musicians like Loretta Lynn and Nappy Roots, Richard Hell and Bill Monroe—just to name a very few—and beloved writers like Crystal Wilkinson, Ronni Lundy, Silas House, and our own poetry editor, Rebecca Gayle Howell. This is just a taste of Kentucky and a taste of what’s to come.
In August, Iris DeMent will release her sixth album, The Trackless Woods, a collection of songs based on eighteen poems written by the Russian poet Anna Akhmatova (1889–1966). The album was recorded in five days last summer in DeMent’s living room and includes poetry from throughout Akhmatova’s life. In this short video, filmed in her home, DeMent reflects further on the writing and recording of the album.
The voices of Norma Navarrete and Ana Laura Rojas personified the sadness of Jennifer Curtis’s violin as she arpeggiated the loss of human movement through her chord progressions. Impervious to any border, the music rose above the murmurings of conversations, the crush of the waves, the silence of the steel.
A conversation with Sir Richard Bishop about his new album.
To me, the story of Tangier Sessions is all about the power of this guitar, and the mystery around my acquiring it. My previous records don’t have a lot of stories—I just went to a studio and made a record. But this one has a real history behind it.
This month, Omnivore Recordings reissued a forgotten Memphis classic, a kind of conceptual compilation called Beale Street Saturday Night, produced by Jim Dickinson in 1979. To celebrate the rerelease of this masterpiece, the Oxford American is pleased to present Dickinson’s “The Search for Blind Lemon,” from our 2013 Tennessee Music Issue.
A recording of a 1989 Barry Hannah lecture belongs among the most revealing documents we have about the author. “Listening to the record is like being in a room with Barry Hannah,” David Swider said. “I think people will be blown away when they hear Barry’s voice. It’s unlike any other.”